In Sleep You Know

21 posts

The Magic Between Us: Camlin

This post is part of The Magic Between Us series, an exploration and analysis of characters in the Stories of the Eleriannan series.

When we first meet Camlin Grimshaw, he is revealed as the villain of In Sleep You Know, the shadowy leader of an aggressive faction of Fae that have named themselves after him. He and his followers have a deep, burning anger that comes from many years of isolation and being othered, both from the mortal world and their own, and that manifests as hatred of the Fae social classes and mortals in general. If they can’t belong, then they’ll seize or destroy the systems that keep them out. 

In the course of ISYK we learn that Camlin is skilled at manipulation, and when that doesn’t work, he compels using his mind. He secretly uses members of the Gwyliannan faction as spies and for some of his dirty work, and isn’t above being cruel to those he uses, because in his eyes they’re part of the system he despises. Genaine in particular suffers at his hands, and it’s implied that he draws her into a relationship with and uses that as a way to further twist her to his will. 

Camlin is cocky, self-assured, and willing to do anything to achieve his goal of gaining control of The Maithe—or is he? We see several times where his confidence has cracks, and his fear and uncertainty peek through. It’s not until Cast a Shadow of Doubt do we explore this, and his motivations for how he acted, in any detail; in ISYK he’s a bit more mysterious and very unlikeable. He would say that he’s used to playing that role, but the truth is, as always, much more complex.

In CASOD, he first appears at the front door of The Maithe, holding an unconscious mortal, Emmaline, in his arms. He begs the Eleriannan to help her, at whatever cost to him it might incur. This is our first inkling that something has changed for Camlin Grimshaw, though not the extent of it. 

Why am I recapping all of this, with potential spoilers? Because to understand what made Camlin who he is, it’s important that we look at his terrible choices and actions before he started down a path to redemption. 

Vali says that she believes no one is beyond redemption, which is why she gives Camlin a chance by letting him in the door—even if she doesn’t consciously understand that as the reason at first—and this is his second advocate on the road to turning his life around. The first is Emmaline, who gives him space to be flawed and messy without judgement, which in turn encourages him to care about nurturing over destruction. Until that point in his life, he’d suffered through being feared and reviled by mortals for what he was, a magical anomaly that lacked control over his powers. He was rejected by his Fae father as well, who neglected to teach him how to use his magic properly or even how to blend in for safety, and who eventually left Camlin and his mother to fend for themselves. This was the catalyst of his hatred for mortals and the so-called Gentry; though he still wasn’t quite comfortable with the “lower class” Fae, they didn’t judge him for being a half-blood like the Gentry did. 

Neither Vali nor Emmaline excuse Camlin for what he’s done. Vali was there and suffered at his hands. She watched her friends suffer as well, unable to aid them. But she’s seen people do terrible things, often when they felt like they had no other choice or when they’d fallen so far that they no longer cared. She tries to meet people where they are, leaving them room to grow and explore the possibility of change. That confuses Camlin at first, because he knows that she has no reason to forgive him. None of the folks that he waged war against do. Being able to accept that he deserves whatever punishment he receives when he offers himself in exchange for helping Emmaline is all Vali needs to hear to give him leeway. In turn, she works to convince the others that they too should consider allowing him a chance to atone for his transgressions. 

But it’s Emmaline’s unblinking acceptance of him, terrible faults and all, that sets him on the road to change. When he first encounters her, he’s still leaning on his arrogant persona for an illusion of strength, despite being laid low in the aftermath of ISYK. She sees right through it, same as she sees him while everyone else in the coffee shop does not, and she interacts with him fearlessly—something he had not experienced in a long time. As two people who were living on the fringes of the world, even though for different reasons, they clicked right away. 

And when Emmaline scoffed at the idea of trusting people who claimed not to lie, saying that the ones who protested loudest were usually the least truthful, Camlin was desperate enough to keep his connection with her that he acted rashly. He swore to always speak the truth to her. What I don’t say directly in CASOD [though there’s some implication of it] is that this is the first time he’s ever allowed himself to be vulnerable for someone else. It’s a rash but heartfelt decision, and it’s the first step to redemption for Camlin. 

He’s given her a way to have some power over him, in a way that levels the field at least a little. For once, he’s more interested in someone else’s comfort and safety than his own. 

After the couple come to The Maithe, Camlin begins to share with others the past that damaged him and led him to the terrible choices that he made. And then he reveals his worst secret: in his anger and hatred and despair, he allowed a mysterious entity that whispered half-truths and offered seductive powers under the guise of achieving similar goals to have control over him. In turn, it used him to control the faction he’d gathered. The abuse pattern he’d been a part of was cyclical, and he was both the victim and the abuser, as all too often happens. 

The difference for him being that he’s ready to risk himself to set things right, if he can. He makes this choice knowing that he could lose everything, including his life, or possibly worse, his ability to fight the mycelial Mealladhan and regain his free will. Still, he chooses to try. In the process he puts himself completely at the mercy of those he hurt in the past, trusting them to make decisions that could save him or doom at the end of his task. Even when the Mealladhan once again takes control of him, he does his best to protect and warn the people he cares about.

One of the lessons that he learns in all of this that I think sometimes gets overlooked is that he must trust and work with other people in order to have any hope of this plan succeeding. Every bad thing that happens in Camlin’s life is because of being alone, by choice or not. When he begins to lean on others, he grows exponentially. 

Camlin is a character I enjoy exploring, because he’s very much not perfect; he’s quite aware of how flawed he is but is willing to do whatever he can to make amends and work toward becoming a better person. Some villains are unredeemable, and there are things one can never come back from. Camlin himself understands that he can never undo what’s been done, and he doesn’t expect to be forgiven. Instead he chooses to make the best of his second chance at life by doing what he can to keep the Mealladhan from regaining power, no matter the cost to himself. That’s fucking brave, and maybe not everyone will agree that it’s enough to be redeemed—Camlin might be on your side there—but I think Vali, the conscience of the Eleriannan, would argue that he deserves some happiness.

In Sleep You Know Chapter by Chapter Intro

If you’ve been around lately, you know that I’ve been teasing this for a bit! This podcast is a readthrough of In Sleep You Know, one chapter at a time, by me in my cozy and magical bedroom/workspace. I’ve got a short intro to check out before the chapters start, if you’re interested.

This podcast, like Magic All Around, is available on both YouTube and Spotify.

Transcript:

Welcome to In Sleep You Know, chapter by chapter! I’ll be reading aloud one chapter per episode with the goal to eventually compile as a self-released audiobook in the future.

I’m Christiane Knight, the author and creator of the urban fantasy slash contemporary fantasy series Stories of the Eleriannan. In Sleep You Know is the first book, followed by Cast a Shadow of Doubt, which is a sequel but can work as a standalone. A Third Kind of Madness, the third book in the series and also a standalone, will be out in 2024. The books are set in a version of Baltimore MD USA – my hometown – where there are a few divergences from the one I live in. A few of the streets have different names, and there are places in one version that aren’t in the other. They both share some of the same quirky aspects and serious challenges.

Oh, and the city in the books has magical beings living amongst us.

I should clarify that with “as far as I know” because who knows what actually hides in the unexamined corners of the Baltimore where I live? Of course, that’s the premise I worked from when writing In Sleep You Know. Our main guy Merrick is an unfocused musician with no real drive to do anything with his life. He’s got imagination and wits but no vision – not until he stumbles into a party, uninvited. That’s a poor choice when it’s thrown by Fae and on Halloween.

He quickly makes friends and enemies, and finds himself swept up by this small Fae court – The Eleriannan – as their hope to revive their house and reconnect with the world of mortals. Only one problem: they have to convince a recalcitrant Merrick to fully get with the plan. And if they can manage to bring him into their fold, there will be even more challenges to face, including magical foes that no one thought to warn him about.

This story features references -both subtle and not – to classic stories about Faerie, faerie lore, and Child Ballads. I also create some of my own Fae creatures, like the delightful dancing trees called the Ffyn, the much more unpleasant ArDonnath, and the downright creepy trio of sisters known as The Ladies, always seen together and ready to dig around inside your brain to see what makes you tick.

Music is very important in the Eleriannan world and in my stories, too. It builds atmosphere, brings people together, and sets scenes. It’s a specific kind of magic in both my tales and in my life and I make it obvious! Each chapter has a song for chapter title and they’re compiled together in a Spotify soundtrack for you. I’ll make sure to include each song through a snippet when possible and a link to the track. Studying the lyrics will give clues about why that particular song is connected with that chapter.

I don’t want to give away too much before I start reading, because I think the beauty in reading or listening to a story is discovering it as it progresses, but I do want to tell you that there’s something I call the Fae Directory available on my website – it’s under the books dropdown at christianeknight.com and it lists characters, places, and magical objects with a little background and pronunciation guide as needed.

I’ll also have a discussion going on discord with anyone who is interested in talking about inspiration, references, and so on in the story. If you’d like to join – it’s just getting going, so you’d be one of the founding members! – you can get the link at bio dot link slash xiane. Don’t worry, I’ll make sure that url is available in comments for you.

Chapter readings will start in October, which is appropriate as that’s when In Sleep You Know also starts! I hope you join me for Chapter One and all the chapters to come!


You can also subscribe/listen on Spotify and take the podcast on the go – find all episodes [this one and future ‘casts] at:
https://podcasters.spotify.com/pod/show/insleepyouknow

Ask the Cast: Vali and Sousa

Last time I posted, I mentioned that I would be featuring the characters of In Sleep You Know and Cast a Shadow of Doubt as they answer questions from me and reader-posed questions as well. Today, we have the first segment, featuring an interview by me with Vali and Sousa!

Please read on to hear about what’s been keeping this duo busy, some organizations that they support, and what you can expect to see in the future from them and the Baltimore Fae!


Today I’ve got Sousa and Vali for some questions and answers!

Me: You have both been busy lately! Want to tell the readers about some of your current projects?

Vali: My two pet projects right now are working on organizing garbage pick-up groups around the Jones Falls and doing some volunteering at the community garden and the free farm. Later this year I want to work on making some safer spaces for unhoused folks in Baltimore, especially women, so that they can camp or gather without repercussions.
Oh, and I’ve just about got Souz talked into letting me throw up a BIG piece on the side of The Maithe.

Me: Oh! Mural sized! What’s the art going to be like? Anything you can share?

Vali: Well… that’ll depend on what I can convince Sousa to let me do. Right, Souz?

Sousa: No pressure or anything, damn. [laughs]

Me: What about you, Sousa? What have you been into lately?

Sousa: Besides helping Vali over at the Jones Falls clean-up sites, I’ve been doing a lot of renovation work on the new building in Woodberry. It’s barely inhabitable right now, not that it’s stopping those folks from staying there. At least some Fae aren’t too choosy, unlike some of the people in this house… anyway. So anything I can do to hurry the process, that’s what I do. And somehow I tried Sheridan into teaching me some of his beer-brewing secrets, which means I’ve gotta test the fruits of our labor, you know…

Me: Of course, of course. You can’t share it until you know it’s worthy.
You are going to share, right?
[everyone laughs]
So you’re both doing lots to give back to the local community. For those who would like to contribute but aren’t local or who don’t have the ability to get hands on, what organizations would you recommend supporting?

Vali: What a great question! Here in Baltimore, I can tell you a few places that do great work. If you’re interested in water conservation, there’s the Chesapeake Bay Foundation [https://www.cbf.org/] which works to save the bay through education, advocacy, litigation, and restoration. You could also donate to Mr. Trash Wheel and the Trash Wheel family [https://www.mrtrashwheel.com/] — they are the trash eating heroes of our waterfront! Mr. Trash Wheel lives at the point where the Jones Falls empties into the harbor, and he catches so much trash before it gets into open water.
Sousa: If you want to help people directly, one of my favorite groups is Food Not Bombs, which has operations everywhere and strives to feed people who need it. [https://foodnotbombs.net/new_site/] The local chapter is connected with Baltimore Free Farm [https://www.baltimorefreefarm.org/] which does so much to feed hungry people and build community with their food rescue work! They also have a community garden and an event space.
In your area, I suggest looking up “free farms near me” and see what comes up. If not, food banks always need time, money, and donations and will welcome your help!

Me: Wow, I appreciate these links!
Someone wanted to know what else we can expect from you and the rest of the gang – any big plans for playing more festivals or other adventures?

Sousa: Actually, we do! We’re getting ready to start hosting events–slowly, with restricted guest lists at first–at The Maithe. It’ll mostly be stuff with The Drawback to start, but we hope to book other things in the future, if this works out. I mean, I have all that space, might as well use it, right? And yes, this’ll include both Fae and Mortals on the list!

Vali: I’m even kicking around the idea of having an art space there. First step is throwing up some paint on that wall though…

Sousa: Yeah, yeah, I guess so.

Vali: You heard him, folks! No take-backsies!

[everyone laughs]

Me: That’s all the questions I’ve got for y’all–anything you want to add?

Vali: Um… don’t litter, be nice to the people doing the jobs you don’t want to do, and remember that everyone’s got a story that you know nothing about, so be kind.

Sousa: Do it yourself doesn’t mean doing it without your community. And, um, buy beers for your local bands so that they know you love them. Yeah.

Wise words! Much appreciation for the time that Vali and Sousa took out of their day to share with us!
If you want to hear more from the cast of In Sleep You Know and Cast a Shadow of Doubt, keep checking back here for more interviews!
And if you’d like to ask your own questions, you can fill this out here: https://freesuggestionbox.com/pub/gnxfwvl

Ask the Cast a Question, an ongoing series

I’m up to something fun! 
I am going to make a reoccurring series where I “interview” the characters from ISYK/CASOD and see what they have to say. Questions will range from ridiculous to deadly serious.

And YOU will get to play a part in this, if you like!
You can leave suggestions for future questions to ask the entire cast or just one of the characters here – https://freesuggestionbox.com/pub/gnxfwvl

Our first question is already here and ready for you! Today, we have a question for Lucee Fearney, your favorite waffle-loving guitarist and once-mortal Fae leader!

Lucee, the readers want to know: how did you learn to play guitar?

Lucee: Wow, that’s a cool question! Actually, you can blame it on Merrick, just like most of the best things that’ve happened in my life. Back in ninth grade he decided that he wanted to learn how to play guitar. He kept telling me that he knew he was destined to be in a band and he wanted me to be in that band too. He also knew that my father would never go for any of that, so he used his “I have rich parents” connections and pulled some strings with the dean to get us a private guitar teacher. He managed to make it so that it was listed on our curriculum as required, so Da would have no reason to be pissed that I was taking a music class instead of an academic class.

Funny thing was that Merrick struggled with guitar, but I picked it up like I was born to play. It just made sense to me, you know? Our teacher Max (Mr. Max, we used to call him) is the one that suggested to Merrick that he should try switching to the bass, and pointed out that if he wanted to sing, that might make it easier. He was a great teacher! He made us both feel like we could do anything. He’s the one who taught me what makes an instrument sound good, and how to develop my own style and tone. Everything else I learned from trial and error, like you do!

Lucee, you’re the best! Guess I owe you a waffle now, right?

Enjoy this? Expect another Q&A next week! And don’t forget to submit your questions!

Character Love Languages

A Valentine’s Day Post!

One of the things that gets mentioned in Cast a Shadow of Doubt is love languages. First, before I go any further: I am NOT referencing the book written by Gary Chapman. He certainly wasn’t the first one to come up with the concept of love languages, and I don’t support the way he frames the idea. [Or any of his other ideas.]

Firstly: people can speak or perform multiple love languages, and need different things at different times. They may even need different languages depending on the relationship to that person. Second: there are MANY more than five love languages. You’ll see that in my characters for sure.

Cullen demonstrates his love languages to Lucee regularly. He does his best to give her a safe place where she can express her thoughts and fears, and his quiet and unwavering belief in her is just what she needs. He also expresses his support through food, which is demonstrated several times in Cast a Shadow of Doubt!

Lucee, on the other hand, is a tireless cheerleader for her friends, and is quick with a compliment or a word of encouragement. She goes out of her way to be there for Merrick, and also her other friends when they need her. Oh, and Lucee’s a big ol’ hugger, so touch is important, too.

One of Sousa’s love languages is thoughtful gifts, given with careful consideration to how he knows the future recipient, and what he thinks will bring them the most happiness. He doesn’t do it often, so his gifts make an impact.

Vali expresses her love through service – to The Maithe, the community around her, and The Lady of the City. She is also quick with a kind and supportive word, and slow to judge, which makes her a nurturing sort of person to be around. Vali spends a lot of time volunteering and when people she loves join her, she feels the most complete.

Merrick is another acts of service person. He finds his true calling through joining something bigger than himself, and he is eager to support his Fae family by taking on his role as the Blackbird, champion of House Mirabilis. He also affirms Aisling’s importance in his world and is ready to defend her whenever she needs it.

Aisling’s is dedication. She is fiercely loyal and supportive of those she loves, and goes out of her way to show it. When Merrick runs away from the Eleriannan, she doggedly tracks him down and won’t leave him to suffer alone until he is able to rejoin the Fae.

Want to hear about some of the other characters? What about you – what are yours? Mine are touch and supportive words with a minor in service. And I love touch and gifts!

Mixtapes as a Love Language

Why should a story need a playlist, anyway?

I’ve talked about the soundtracks [aka mixtapes] to my books a couple of times here, and how the music is part and parcel of the atmosphere and story — integral, if you ask me. You could read the stories and never listen to the tracks I chose to go with each chapter, but you’d be missing out on some of the nuance and thematic references. I mean…it’s up to you, I guess

Seriously though, the concept of a soundtrack for my stories comes in part from the longstanding tradition in visual media, sure, but even more so from my longstanding tradition to make mixtapes for people I care about, or who I want to care about. I’ve been making mixtapes since I was about ten years old; at first, I used one of those old cassette recorders with a condenser mic and buttons that would make a loud CLUNK every time I would stop the player. My very first foray into learning how to make a proper mix was figuring out how to eradicate that CLUNK from the recording.

[The secret sauce was using a pencil to roll back the tape just enough to start the next recording over the bit of tape where the terrible noise had been. That trick served me well for years of making mix tapes without a fancy mixer!]
Oooooh, when the minutes drag…
Photo by Idin Ebrahimi on Unsplash

Mixtapes are my love language. Even though I make them these days using CDs or Spotify, the general aesthetic and motivation is still the same. I make them for people I care about, or that I’m really into. Often they’ll have a theme or mood, and I choose every song carefully to match that. The songs build and ebb and flow, creating a journey that needs to be followed from beginning to end in order to get the overall effect properly. It’s funny, because I approach DJing in the same way, and it’s served me well. There’s a real art to building the energy of a dancefloor, and the same with a weekly show, though the energies are generally different between them.

The same applies to my book soundtracks, and it makes sense, because the plot of a book has that same sort of organization: rise and fall, ebb and flow, with an overall theme and direction. And the best mixtapes I’ve made, like my favorite novels, have covers that I can’t forget. I am a firm believer in making cool covers for my mixes. That’s part of the aesthetic, too.

Fun fact: I used to be the person that people brought their cassettes to for repairing.
Photo by Dan-Cristian Pădureț on Unsplash

When I started dating my partner, I gave him a mix CD on our very first date. [We’re coming up on six years together, and I would put money on the mix being part of that.] One of my friends digitized a mixtape that I made for him back in 1986, and it’s just as good now. The music isn’t new but it feels fresh. It’s a testimony to the power of mix tapes that he’s kept it for 36 years and cared enough to rip it to newer formats.

Want to win me over? Make me a mixtape. Bare a little of your soul with it. Create a cover that says something about the mix — it can be a drawing, a collage, something digitally manipulated. Whatever feels most honest.

That’s what I did for all of you with my books. I put together a couple of mixtapes and gave you stories to go with them, and pretty covers that reflect what’s inside. The mixes are as important as the novels. The stories are as important as the music. It’s all full of love.


BTW, if you want to read more about the philosophy of making mixtapes, you can’t do much better than going to one of the masters of talking about music and its importance, Nick Hornby. High Fidelity, of course, but Songbook not only goes into great detail but has its own mixtape to listen to.

ALERT: Black Friday/Faeday!

Let me get to the important info – the sale!

Over on my Ko-fi, I’ve got a sale going through November 30th, 2021. Use this link – https://ko-fi.com/threeravenspress/link/BLKFRDY21 – to get 20% off everything in my shop, including signed paperbacks! You must use the link or enter BLKFRDY21 to get the discount!

Also, right now you can pick up the ebook version of In Sleep You Know through Amazon for $2.99 – I have never put this on sale, and I’m not sure how long it will remain discounted, so grab it while you can!

NOT Fae-related, but a fantastically fun and fast-paced read from one of the members of The Badasses, my writing group, so you know it’s great… Tyler Woodridge has some deals for ALL IN, his exciting heist thriller set in Columbus OH.

In the near future of year 2022…
CHAOS IN COLUMBUS.
Power vacuum in a broken heartland! Outlaw syndicates jockey for control of an aimless generation’s anxious spend. Moral compasses lose their bearing as wayward souls steer by the stars of sex, drugs, and infamy.
Oh, and there’s Jimmy Glencroft. The disgraced pro football mascot has one foot in blissful ignorance and another in willing mediocrity. As losses mount in life and love, Jimmy discovers that unexpected new beginnings just might be a gamble away…

ALL IN, Tyler Woodbridge

ALL IN
DOWN FROM CARLISLE
Comment here to get a signed copy

Jump on these offers now! I’ll be listing some other books from friends during the Holiday season as well, check back in to see what other recommendations I have for you!


To Keep The Darkness At Bay

One of the questions I get asked a lot, and I’m sure most writers do as well, is one that cuts to the bone of our motivations.

What made you want to become a writer?

It is a well-meaning question, asked by those who truly don’t understand that writing is less of a choice than a drive or a need, at least for me.
I’ve been writing stories since I learned how to print my letters. Stories have been in my blood from the very beginning. I learned to read when I was two years old, and I was writing before I started school. I’ve mentioned before that in first and second grade I had a following of girls who would join me in the grassy field during recess while I told them tales that I created on the spot. We would make clover chains and discuss faeries and talking animals and creating magic potions. There’s a meme out there about how little girls instinctively form covens and I’m here to tell you that, at least for me, that was so true.

I wrote my first book at age six, and it was a total rip-off of E.B. White’s The Trumpet of the Swan – okay, okay, it was inspired by it. I even illustrated it, and made it into a stapled chapbook, foreshadowing of my ‘zine days to come. I loved every bit of doing this, and from that moment on, I was hooked on being a writer.

To me, it made sense. I was a voracious reader. I told myself stories all the time. Why wouldn’t I be writing books?

I had a lot of stops and starts on my path of sharing my words. I wrote poetry, music, short stories. I published them myself in my ‘zines, and had them published in other ‘zines and small press publications. I blogged online, fairly religiously. I wrote in my personal journal daily, and some of the things I crafted there became shared pieces.

And I started abortive attempts at novel writing. None were successful, at least not for a very long time.

I like to keep the magic alive outside of the book, too. This is what came in the original deluxe signed paperback packages.

It wasn’t until I revisited my notes for the world of the Eleriannan, as I looked for inspiration during the pandemic lockdown, that I started to see how the stories I’d begun and then abandoned could be fleshed out. They’d been waiting for me to get to the right place in my mind and in my life.

Everything is terrible! Let’s write a book!

Now that I’m into the editing portion of Cast A Shadow Of Doubt, I have time to read for pleasure. That’s a good thing, because I have a BIG stack of TBRs, and the one on the top of the stack is Never Say You Can’t Survive, by Charlie Jane Anders.

I’ve been dying to read this, and so far it has not disappointed. The subtitle is How To Get Through Hard Times By Making Up Stories, and if that isn’t directed straight to my heart, I don’t know what is. Chapter five in particular has hit home for me, because it talks about writing the things that comfort you when the world is burning. One sentence in particular jumped out at me and brought tears to my eyes.

“Write whatever you need to survive.” – Charlie Jane Anders

Her point is that we get a lot of messages about what we are “supposed” to be writing. Some of those are external, others internally designed to make us feel like we’re not good enough as writers. [yay for that, brains]
However, our actual job as writers is to bring forth what we need in the world. And not what we think everyone needs – no, I should write what I specifically need or want. You should do the same. Write the thing that gives you heart to go on, that allows you to get up in the morning, that fills a space in your life that was lacking before you addressed it with your words.

YES PLEASE.

THAT is when writing brings joy, when it rings out clearly across the empty spaces that needed those words, those ideas, that specific story. Writers who embrace this philosophy are easy to spot, at least to me. Reading their stories is an authentic experience.

Conversation between me and Christopher, which is when it all became clear to me about why I write.

And that is why I was able to write In Sleep You Know, when before I’d never been able to finish writing a novel. It was something I needed, a moment where possibilities exist and magic is real but what really matters are the choices that one makes… Especially the choices that bring friends together and create family and community.

And Cast A Shadow Of Doubt embraces those values even more. I cannot wait to share it with you, because these stories are what I need to see in the world, and I am hoping that they are for you, as well.

About the Soundtrack

I’m definitely not the first person to create a playlist that goes along with their book, or even to promote that fact. But I can tell you that anyone who knows me was not only not surprised that I did, but chances are good they would have been flabbergasted if I hadn’t!

Music infuses every part of my life, so it’s no wonder that I have songs connected to each part of the story of In Sleep You Know. Not only does each track that heads a chapter give a bit of the mood for that chapter, but some of the tracks are connected to specific characters and their personality or story arc. There are also some tunes that aren’t chapter headers, but are part of the action, like songs that The Drawback covers, or that get spun at Club Marcada.

You might note that the songs span timelines from the 80s to current time, and are all Alternative/Goth/Darkwave acts. That’s also informed by my personal tastes, but these characters are all people I would have known at the concerts and shows and clubs I’ve gone to over the years, and this is the music they listen to and identify with.

When I hear “What We All Want” by Gang Of Four, I see Sousa striding down the street, full of drive [and possibly beer], headed off somewhere to solve problems and talk sense.

Merrick’s got the Joy Division in his personal soundtrack, of course – I mean, he’s the one who named the band The Drawback. And he does a mean cover of “Heart And Soul” too.

When I hear Siouxsie and The Banshee’s “Love In A Void” my mind immediately pictures Lucee doing those yelps and jumping around on stage.

“Wild World” by Love Is Colder Than Death is very much the state of Genaine’s mind, and everything she’s been through, especially in that chapter.

Severed Heads “Heart Of The Party” isn’t so much a track that would get played at an Eleriannan party, but it sure does describe what Merrick’s feeling like while he’s there!

And you might notice the preponderance of songs about dreams or dreaming – which you might expect from a book entitled In Sleep You Know. Merrick and Aisling’s relationship and how she triggers prophetic dreams for him are referenced in many of the tracks.

If you’re interested in hearing some of the other playlists that I put together as part of my Radio Xiane project that also are representative of the music favored by the characters in the Eleriannan stories, you can search “Radio Xiane” on Spotify and listen to my collection of playlists there.

What other books with a playlist are your favorites? I’d love to hear about them! Please leave a comment below on on the Facebook page!

Meet The Characters: Sousa

Joseph Sousa, aka Souz, is a good friend to Merrick and Lucee, and the drummer for their band The Drawback. He’s known to characterize himself as a “dirty punk dude” who loves a sleeveless shirt and drinking copious amounts of beer.

He also, inexplicably, is the owner of The Maithe, a giant brick building in the heart of Baltimore City. The Drawback practices there, and he lives in the practice space with all their equipment and scooters that he loves to repair for fun. He is raucous and funny and stands up for what he believes in loudly and steadfastly.

“To these folks, the city is a wasteland of negativity and should just be abandoned to the Gwyliannan. Which is ridiculous. There’s so much good in the city. The fight is there, the real reason we should be gathering together.”

Meet the rest of the characters in this ongoing series, then order the book now!

  • note: photo is a composite created by me and containing some of the excellent photography work of Karey Nation [graffiti photo]