ISYK

9 posts

Story Order: How to Read Stories of the Eleriannan

“Dear Christiane, 

You have multiple books/stories in your Eleriannan series! It’s not clear to me how this works; can you help?”

You bet I can!

Let me break it down for you, with lots of details about what each story is and where it falls in the timeline.

First thing you need to know is that all the stories can be read independently from each other. There are no cliffhangers, but reading them out of order will reveal some plot points from previous stories, so be aware. I’ve tried very hard to make sure that you won’t feel lost if you read them out of publication or chronological order.

As of October 2025 are currently these titles:

  • Escaping the Dreamland [#.5]
    • Events happen well before ISYK
    • Tells the story of how Aisling came to be, 1st person
    • Short story
    • Available with subscription to my mailing list
  • In Sleep You Know, A Story of the Eleriannan [#1]
    • First in the series
    • Introduces you to many of the characters
    • Told mostly following Merrick, 3rd person
    • Draws inspiration from various Faerie mythologies and folklore as well as Child Ballads
    • Novel length, stands alone
    • Set in a, um, slightly different version of Baltimore
    • Soundtrack
  • Cast a Shadow of Doubt, Stories of the Eleriannan [#2]
    • Second in series
    • Tells the stories of Lucee’s rise to leadership and Camlin’s attempt at redemption
    • Introduces the Mealladhan and Emmaline
    • 3rd person, mostly following Lucee
    • Features more Baltimore culture, including big summer art festivals
    • Novel length, stands alone but is even better paired with ISYK
    • Soundtrack
  • A Third Kind of Madness, A Story of the Eleriannan [#3]
    • Third in series
    • Introduces Denny and Peri as well as Denny’s art collective, the Ants, and new Elementals
    • 1st person, told through Denny
    • If you’re a fan of Karsten, they are a prominent character
    • Art scene, farmers markets, and the Mount Vernon neighborhood are featured
    • Novel length, stands alone
    • Soundtrack

Coming in 2026:

  • Eleriannan #4 [as yet untitled]
    • Fourth in series
    • Centers on Emmaline and her struggle to integrate into The Grimshaw while discovering the depths of her powers
    • Introduces some new Grimshaw characters, especially some of the Arswyd and Ettir, an Eoten
    • 3rd person, mostly following Emmaline
    • Want to find out why the ArDonnath are so nasty? Here’s your chance!
    • Novel length
    • Soundtrack

If you have further questions about any of the Eleriannan books, you can always ask here! Also check out the Fae Directory and my series The Magic Between Us for more insight about the characters and how they interact with each other. 


I should probably mention that I have an unrelated book that is also set in Baltimore coming out in 2026. It’s a speculative fiction near-future story called A Small Light in the Darkness, and it focuses on two characters: 

  • Tryst, a lonely and longing poetic soul who can’t seem to make a “true” connection with someone who can satisfy her longing for something deeper
  • Fo, mysterious and thoughtful with a multitude of secrets and a deep need to connect even though they are scared of the emotions that brings

Together, they unravel the unknown aspects of Fo’s past, revealing a terrible accident with an experiment gone wrong, the drawbacks of mind enhancement, and a secret that goes much deeper and darker than either of them had imagined at the start. 

Recommended if you like stories about transhumanism, and/or with human-computer interaction, romantic subplots, connecting with strangers, poetic prose, science gone bad.

The Magic Between Us – An Exploration

It’s been a while since I talked about my characters, right? I’ve been focusing on writing, and talking about writing/being an author, but there’s always a part of my mind that’s doing deep delves into what makes up my characters and how they reflect the larger world around me. So I decided that June might be a good time to share some of those explorations with you, dear readers.

If there’s one thing that y’all ask me about the most, it’s in-depth questions about the people who inhabit my Fae-infused version of Baltimore. So this month, let’s chat about what makes up each character, why they do what they do, and what they represent. People in this instance may be taken very loosely, as I’m pretty sure The Maithe [and in comparison, the other Houses] may show up in one of these chats.

I’ve got some other answers that will be tucked inside these essays, too, things that have been asked of me before and I’ve had a lot of time–and three books–to think deeply about. Questions like “Why did you choose Merrick to be the main character of In Sleep You Know” and “What will happen to The Ladies” and “Why did the Nyxen pick Denny to befriend anyway?” There’s also always the question, “Did you base X character on someone you know?” I’ve talked about that one before but the truth is always more complicated than you’d guess.

We’ll get started on June 1st! I am very much looking forward to chatting at length about character creation and the complex lives of these imaginary [maybe?] people.

A Map of the Eleriannan

Have you wondered where in Baltimore that one scene took place? You know, the fight scene at ArtPark or where Denny met Dorcha or that club where The Drawback played their first show?

Wonder no more! Here is a map that will show you all those locations and more! Please keep in mind that because the Baltimore where the Eleriannan and Gwyliannan live is laid over the one most of us live in, you may see something very different on this map than what is actually there for Merrick. Luccee, Denny and friends.

If you click through to the page where the map is hosted you’ll see a clickable navigation list. You can also access it here through the icon at the top left. If there’s a location I haven’t added yet that you want to see, just let me know.

I hope you enjoy this exploration of both mundane and magical Baltimore!


In Sleep You Know, Chapter One

Show Notes:

We are introduced to Merrick Moore, a well-spoken but aimless musician who stumbles into a party of unusual strangers on Halloween and attempts to navigate power plays that he doesn’t understand. Luckily he’s aided by [and magnetically attracted to] the lovely Aisling, and the dapper Cullen.

And he brought beer, that counts for something.

This was a lot of fun to record, though I’m sorry for the occasional stumble or mumble! I used a teleprompter for the first time and I will need a little more practice to find that sweet spot of speed/line breaks before I feel more comfortable. I also find that my voice gets tired faster than it used to, so I start out strong but by the end I’m just pooped. Whoop!

If there are questions about characters, you can peek at The Fae Directory – you can also reaffirm spelling/pronunciations there.

The soundtrack is available here: https://open.spotify.com/playlist/7rZZSpAFAvtSaNXZM2aIDS?si=f36c3e1441b54a3c

Transcript

Expand to read transcript

If you’d prefer to watch this on Spotify, you can do so here:
https://open.spotify.com/show/71rf0YMLBH6E3rMCd0E42C

Or you can listen to it without seeing my goofy face here: https://podcasters.spotify.com/pod/show/insleepyouknow

A collage of sea, scenic, and building images in film frames with the text September Updates overlaid.

September 2023 – full of hidden magic

I’ve been busy enough to keep me from updating here until now, which is great for me but leaves you a bit in the dark, doesn’t it?

What’s been happening?

A quick recap from August:

  • I finished the first draft of ATKOM and then did several rounds of revisions. It’s off with the editor right now, then I’ll get it back and revise some more.
  • In Sleep You Know was cut from SPFBO. I’m extremely glad to have had the experience and to have met so many excellent indie authors and book reviewers through the process. As a reader, I can say with all confidence that there’s no better place to look for your next reads than from the 300 contestants. I’ve filled up my own library with titles from SPFBO and I can’t wait to see who is chosen as the ultimate winner!
  • I applied for a couple of opportunities but I can’t say more until I know more. Oooh, secrets.
  • I added new merch to the Ko-Fi in the form of Fae Baubles – hand made jewelry from me!
  • In the interim while I wait on edits/revisions, I came up with another idea that I can’t wait to share with you…

Introducing the Magic All Around podcast/vlog!

I played around a little bit with this idea when I first published In Sleep You Know, looking for various ways to converse about writing, books, and other related topics. You might have seen those couple of videos on my YouTube channel! Because of life considerations getting in the way, I didn’t get very far with the experiment that time, but as I’m in the editing/revising phase of book #3 and I have more time and energy to spare, I devised this plan to bring together a handful of things that I love and that I think are relevant to my creative world… plus…

I’m going to be doing chapter reads from In Sleep You Know!

So many people have asked for this, how could I say no? I enjoy reading aloud anyway, so this will be a treat for me to do, and I’m hoping that it’s entertaining for YOU!

I haven’t set a schedule yet, but I’ll have readings as both a video and audio option. If you’re a Ko-fi supporter, I’ll make the chapters downloadable for you as a supporter perk! If this project goes well, I’ll be able to create an audiobook type of experience, which is one of my dreams for my series. And if it doesn’t… well, I’ll have a good time!

Here’s some of the other things that Magic All Around will cover:

In the Music @ The Maithe segment I’ll talk about tracks/bands that’ve recently caught my interest, and I might go on a bit about how they fit into my overall literary world, too. Art & Mystique will be about the inspiration and influence I find in the arts, expressed in a variety of ways. I’m pretty excited about these two because they’re the backbone of my inspirations.

Crafty Charms will encompass all the different things I’m working on and how they tie into my literary world, too. Expect everything from Fae-inspired fiber arts to the character dolls and miniature world of the Eleriannan I’m slowly working on creating!

Magic Seeking is a peek into the philosophy of my life: finding magic in unexpected places, often ones you pass by every day. That’s both in a physical and metaphorical sense! And of course, Words & Writing is when I talk about what stories I’m working on, and other writerly updates.

I’m hoping to start recording these very soon, along with bringing back radio shows over at Radio Xiane and some other creative offerings, so keep tuned. I’ll announce here, on Ko-fi, and via my newsletter. Expect episodes to be full of me being my ridiculous self, which is either an issue or a selling point, depending on who you are! 😉

That’s all I’ve got for updates for now! I wanted to mention that if you’re interested in being an advance reader/reviewer for the upcoming book, make sure to sign up on the ARCs page to get on the list!

Text: Good vs. Evil? Nah. Background is a hooded and shadowed man against a grey wall.

Good vs. Evil? Nah.

My stories aren’t for everyone.

Some people want it dark, and my books are not that. They have dark moments, and people who do bad things, but the overall atmosphere is hopeful, built on the idea that we are strongest when we work together.

I don’t write the kind of fantasy that has obviously evil villains. I don’t believe that there’s that many purely evil people out there, so what are the chances that our everyday fae-befriending main characters would be running into Big Evil?

Even the Camlin, the Big Bad from In Sleep You Know turns out later to have a much more complex history than “I hate everything and especially you.” [You’ll have to read Cast a Shadow of Doubt to see how that goes!] The Arswyd and the other Grimshaw, too – they have their own motivations for why they act like they do.

Rather than focusing on evil as a motivator for a storyline, I’d rather explore the traumas and misunderstandings that lead people to the choices they’ve made. I talk about broken and dysfunctional families, social pressure, being without a house or a community, feeling inadequate and powerless – and how all these things shape how we move in the world. The magic parts of my stories are more than just the powers that the Fae bring. They’re all entwined in the decisions that the characters make.

You might ask, then why even have magic in these books? Why are they fantasy and not just books with “regular” characters? What a great question!

Having magical characters serves a couple of functions.

It demonstrates possibility. The magic is a way to shine a light in the darkest times, a beacon for what good can exist even in the midst of struggle.

It offers balance and perspective. Even the mightiest of the Fae struggle with everyday issues, ones that magic can’t solve, like relationships. And when the mortals get magic, it doesn’t change their flaws either. Merrick and Lucee both still have to learn how to believe in themselves and what they are capable of, with or without the use of magic.

Creepy pale woman in a black dress stares down the camera

And honestly, one of my favorite things about my characters is watching them learn how alike they all are, Fae or mortal, despite their obvious differences. The creepy, uncanny Ladies have internal power struggles. The Ffyn are happy-go-lucky dancing trees until it’s time to defend their friends. Merrick leans on his companions whenever he’s unsure what he should do, and that includes the Fae once he’s decided that he’s with them.

As the stories progress, the characters begin to work through their assumptions and prejudices as they discover their commonality. And I’d argue that’s another kind of magic.

Every protagonist needs a foil, but that doesn’t mean that we need to always have the divisions be starkly divided. And don’t get me wrong – there’s nothing wrong with cartoonish villains or implacably evil characters or whatever other types of villains you enjoy reading or writing! They’re just not what I write, and they’re not the kind of fantasy novels I’m interested in bringing into the world.

I crave hopeful stories with plots that address issues I see in this world, and that’s what I write. Which is why I can confidently say that my books aren’t for everyone, and that’s okay – but I think you might be surprised how much you can relate to what happens in the Baltimore of the Eleriannan.

A hand holds a camera, the viewscreen facing us. It displays the logo for SPFBO inside the screen. There is a small icon of the cover of the novel In Sleep You Know in the left lower corner, and the text Take A Risk.

SPFBO and Being Brave and Bold

One of my pledges to myself this year was that as soon as I was stable enough, health-wise, I was going to start making up for all the things that I’ve missed out on thanks to being sick – and to be brave and bold and go for opportunities, even if I’m unsure how they’ll work out for me.

It’s not that I’m risk adverse. In fact, I’m laughing as I type that, because anyone who truly knows me absolutely knows how bold and occasionally rash I can be. As the Eleriannan might say, “audentes fortuna iuvat” – and that’s been proven true for more times than I can count. Being brave and bold gets you more than sitting around waiting for things to fall into your lap, y’all.

All this is my long winded way of saying that I entered In Sleep You Know into the Self Published Fantasy Blog Off or SPFBO 9, which is a contest designed to put a spotlight on, as the title suggests, self-published fantasy novels. It is organized yearly by Mark Lawrence, and this is the ninth year. Three hundred book submissions are divided amongst ten blogs, who read, review, and eliminate the selections until they find the one book they’ll put into the final round.

The second round is where all the judging blogs get the finalist books to review and make a decision between. At the end of the process, a winning book [and also a winning cover, in a separate, concurrent contest] will be chosen and crowned the winner of SPFBO. Yay! The entire process takes about a year, so expect occasional updates as things progress.

I’ve gone into this with zero expectations in any direction other than finding some new reads, getting some exposure, and making some new writing and reviewing friends/contacts. The experience is worth it! [though of course I want to win, but truly that’s not the reason to enter]

If you want to see all of the entries and what blogs will be doing the reviewing – which I highly recommend, get you some new reads – you can go here [there’s also stats about SPFBO and other interesting info] and here [a gorgeous visual layout where you can see all the covers and click easily on each story’s link].

In other brave and bold news:

  • I’ll be participating in the Broad Universe members Rapid-Fire Reading at Balticon! As soon as I get the scheduled time and details I’ll make sure to post them.
  • I decided that I’m going to start taking a writing class monthly, to continue to hone my craft and re-invest in myself. The one for June is going to be Embodied Characters, taught by my brilliant friend Marianne Kirby! It’s being hosted by Neon Hemlock and if you’d like to take it too, the link is here – https://www.neonhemlock.com/neon-salon
  • I started going back to the gym this week! This is a huge deal because I’m trying to regain strength and stamina that I lost while I was mostly housebound. I’m glad to report that I’m not nearly as weak as I thought I might be!
  • I had an iced chai latte with almond milk and it didn’t wreck my guts. *throws confetti*

What brave and bold things have you done lately? I want to know! Hit reply and leave a comment so that I can cheer you on, too. 💜

Today’s brave and bold soundtrack: D-Day by Agust D. Stream it here: https://open.spotify.com/album/446ROKmKfpEwkbi2SjELVX?si=t4gM9tqBT6ysbTDP3tz3JQ
A two leaved plant grows from a stack of books. Text reads: growing a plot from a stem

Growing a Plot From a Stem

So last night it started. What, you ask?

The dreams. Dreams about my current story, the characters interacting, the plot and where it’s headed.

When this happens, I know my brain is in full storytelling mode. And this is when the real magic starts to happen for me, because I’ll be thinking through scenes in my head in the shower, while grocery shopping, or eating dinner. It’s so exciting!

When I start writing, I have characters and a vague idea what the story’s about, and not too much else. I let the characters and mood develop and then the plot will reveal where it’s going. If it sounds like I’m kinda hands-off-the-wheel in this process, you’re right. I trust that there’s a plot there, and there always is.

This particular story grew from a stem I’d wrote down years ago. It took that long to get here, but I knew it would bloom when it was ready. Trust!

⬆️ I wrote that earlier today over on Mastodon, and I wanted to expand on it here, because there’s a lot to talk about!

Plots, pants… plants?

I’m sure I’ve mentioned before that in a world of writers that often divide into “plotter” and “pantser” camps, I’m definitely a “planster.” I can hear some of you asking, “What’s the difference?”

Planners are all about drawing up an outline and strongly defining their plot before they get started. They know where they’re headed, they’ve got the map at the ready, and generally the ride is smooth because of all the planning they did before they even started writing the actual tale. There’s a lot to be said for this method because of that.

Pantsers are the total opposite: they sit down and turn loose the ol’ brain on the paper or keyboard. They might have a general idea of where they want to go, or maybe they just metaphorically get in the car and drive around as their heart leads them. It’s basically discovering the story as you go, which is exhilarating but also can lead to frustration if it remains aimless for too long.

Plansters? [I’ve also seen it as plantser] They’re somewhere in the middle, and the degree to which they lean to one side or the other can vary wildly. It’s okay to claim one of the first two titles as your method and still use some techniques from the other, by the way. I think most writers do, again to varying degrees.

The way I create my stories works in this way:

I’m an extremely character-driven writer, so the main character[s] show up first, usually in an opening scene that sets the tone of the story to come. I do a lot of pre-writing in my head, playing out scenarios like I’m telling myself a story, before I ever commit the characters to the page in any way. This way I can see if there’s a viable story to be shared, or if it needs to be shelved for later.

That’s actually what happened with the current WIP, which I’ve been talking about under the acronym ATKOM for now. When it first appeared, the MC was a guy, and someone who had given up on any artistic abilities early on in childhood. Now the MC is non-binary, and a talented photographer. What stayed was the muse love interest and the MC’s extreme shyness and awkwardness. Oh, and the art collective with the unpleasant leader, Joolie. The story’s plot also has gone in a completely different direction than I originally imagined that it would, and I feel it’s much stronger for that.

So I come up with characters, or more properly – they show up, and I put them in a scene and see how they work and what happens. When it gels and feels exciting, I keep going. At this point, I generally have no idea where the story is going. I just let the scenes unroll naturally and explore from there.

Using In Sleep You Know as an example: I knew my opener was Merrick showing up uninvited to a party, which unbeknownst to him was being thrown by a house full of Fae. Classic, right? Lots of possibility in that scene.

I also knew Merrick was a musician, and kind of aimless and unmotivated but clever and resourceful enough when his back was to the wall. Every single thing else happened in the exploratory first chapter without a plan. Aisling showed up with her ability to walk in other people’s dreams, and Cullen, who started out as jaded and just tagging along for a good time but quickly warmed into a likeable guy.

From there, things changed rapidly. When I started writing, there was no Lucee or Sousa or The Maithe, and certainly no Gwyliannan of Tiennan House. Vali showed up all on her own and she and Sousa carved out their own subplot without any conscious input from me! Which really is something, as Vali is one of my favorite characters to date.

What happens next?

So here’s what usually happens after the characters establish themselves and the story starts to get some ideas of what it wants to be. [Yes, I’m anthropomorphizing my stories and characters, but in many ways they really do have lives of their own.]

About 20,000 to 30,000 words in, I sit down and think about character arcs and where I want the story to go. Usually at this point I already have a good idea of what I want, but no matter how I loosely plot out things I always leave room for sudden changes and swerves. These characters will do unexpected things, I tell you! For example, originally I thought Brenna would be the one to show Merrick how to shape a raven, but our small and gentle friend Quillan stepped up instead. He’s another character who I didn’t have plans for but he insisted on being more important than I would have guessed.

Okay, so far I:

  • Imagine some characters
  • Put them in an opening scene with a vague idea of what I want to happen
  • Start writing, letting the characters do their thing
  • If it’s gelling, around 20,000-30,000 words sit down and make a loose outline and character arcs if I haven’t already*

My outlines are basically me sitting down and writing out beats – the important moments that drive the story along – making sure to include key interactions between characters that I want to see happen and why, as well as where plot points might converge or reveal important details. It sounds more complicated than it really is. I mean, here’s the fleshed out beats from the first couple of chapters of ISYK:

  • Merrick goes to House Mirabilis
  • Meets Aisling, she saves him from Edana, Cullen tags along
  • The Ladies go after Merrick, Morgance loses and has to offer name [no one is sure why they go after him so hard]
  • Merrick is introduced to Fallon and she says he is under their protection
  • He joins the party, meets Sheridan, drinks and eats
  • Fallon asks who will stand for him, Aisling, Cullen, and Sheridan say yes
  • Fallon tells him who they are [fae, Eleriannan] and asks him if he will join them for seven years. He says yes.]

Note that I wrote this part of the outline *after* I wrote those chapters. My outline for the last part of the book is a lot more vague:

  • construction of gates so that there can be free movement
  • why does Genaine claim no knowledge of gates
  • who will guard gates
  • what comes from Lucee’s pledge to Genaine [redacted]
  • Vali’s graffiti
  • [redacted]
  • Vali wards The Maithe, Grimshaw attacks in front, they grab [redacted]
  • Tell them that if they surrender The Maithe, [redacted] will not be harmed

So you can see, it’s more about what I know I need or want to cover, less about “this is how it’ll go” – there are even some things in that outline that I didn’t share here that never came to pass. I guess in some alternative timeline, maybe they did?

I’ll tell you the truth here – I didn’t even write this part of the outline until I was at what I knew to be the last third of the book. Right around there everything came to me in a rush, and I knew where the story was going, though the last couple of chapters still shocked the heck out of me. If you’ve read ISYK feel free to message me and ask what the surprises were!

So this is a pretty long post and I’ve got more to say, including tips for managing all the bits and pieces floating around waiting for that outline to corral them, so tune in for Part Two to learn about things like how a planster manages characters over a long arc that isn’t really planned out at all, and how character-driven plots work for me.

Until next time!

Mixtapes as a Love Language

Why should a story need a playlist, anyway?

I’ve talked about the soundtracks [aka mixtapes] to my books a couple of times here, and how the music is part and parcel of the atmosphere and story — integral, if you ask me. You could read the stories and never listen to the tracks I chose to go with each chapter, but you’d be missing out on some of the nuance and thematic references. I mean…it’s up to you, I guess

Seriously though, the concept of a soundtrack for my stories comes in part from the longstanding tradition in visual media, sure, but even more so from my longstanding tradition to make mixtapes for people I care about, or who I want to care about. I’ve been making mixtapes since I was about ten years old; at first, I used one of those old cassette recorders with a condenser mic and buttons that would make a loud CLUNK every time I would stop the player. My very first foray into learning how to make a proper mix was figuring out how to eradicate that CLUNK from the recording.

[The secret sauce was using a pencil to roll back the tape just enough to start the next recording over the bit of tape where the terrible noise had been. That trick served me well for years of making mix tapes without a fancy mixer!]
Oooooh, when the minutes drag…
Photo by Idin Ebrahimi on Unsplash

Mixtapes are my love language. Even though I make them these days using CDs or Spotify, the general aesthetic and motivation is still the same. I make them for people I care about, or that I’m really into. Often they’ll have a theme or mood, and I choose every song carefully to match that. The songs build and ebb and flow, creating a journey that needs to be followed from beginning to end in order to get the overall effect properly. It’s funny, because I approach DJing in the same way, and it’s served me well. There’s a real art to building the energy of a dancefloor, and the same with a weekly show, though the energies are generally different between them.

The same applies to my book soundtracks, and it makes sense, because the plot of a book has that same sort of organization: rise and fall, ebb and flow, with an overall theme and direction. And the best mixtapes I’ve made, like my favorite novels, have covers that I can’t forget. I am a firm believer in making cool covers for my mixes. That’s part of the aesthetic, too.

Fun fact: I used to be the person that people brought their cassettes to for repairing.
Photo by Dan-Cristian Pădureț on Unsplash

When I started dating my partner, I gave him a mix CD on our very first date. [We’re coming up on six years together, and I would put money on the mix being part of that.] One of my friends digitized a mixtape that I made for him back in 1986, and it’s just as good now. The music isn’t new but it feels fresh. It’s a testimony to the power of mix tapes that he’s kept it for 36 years and cared enough to rip it to newer formats.

Want to win me over? Make me a mixtape. Bare a little of your soul with it. Create a cover that says something about the mix — it can be a drawing, a collage, something digitally manipulated. Whatever feels most honest.

That’s what I did for all of you with my books. I put together a couple of mixtapes and gave you stories to go with them, and pretty covers that reflect what’s inside. The mixes are as important as the novels. The stories are as important as the music. It’s all full of love.


BTW, if you want to read more about the philosophy of making mixtapes, you can’t do much better than going to one of the masters of talking about music and its importance, Nick Hornby. High Fidelity, of course, but Songbook not only goes into great detail but has its own mixtape to listen to.