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How?

How do we keep going? How do we put one foot in front of the other, over and over, moving toward an unnamed goal that somehow has a million hopeful and beautiful inner images to illustrate it on our internal vision board even though we can never fully pin it down?

How can we keep that focus when the world is burning all around us? We seem doomed to keep repeating the patterns of the past, the hatred and need to subjugate those deemed lesser, more expendable, worth only what can be extracted from those with more money and power and the right background and gender and skin tone.

How can I keep hope alive when I see the atrocities that humans perpetuate daily? So many of us look away, glad that it’s not us or those we love, turning back to our mundane daily issues that keep us from contemplating how close to ruin we are every day, both personal and planetary.

And how can I keep doing all the small things that mean a lot to me but nothing in the greater scheme without feeling like I’m betraying the world, ignoring what’s actually happening? How do I stand up and say “I have books for you; please buy them” when I know so many people begging for mutual aid just to keep their housing or pay medical bills or eat?

There’s no easy answer to these questions.

I ask myself these things every week, sometimes multiple times a week. I struggle over them. I am one small dot in this world, with no power or money and a failing body. What can I do?

I get loud. I advocate for people and things I want to support. I try to put my money where it’s most needed, not that I have enough to make a difference by any means. I’m struggling too. It’s not enough. It’s never enough.

I write stories where the answers come a little easier.

Not too easy. Never so easy that there’s not ethical dilemmas that must be wrestled with, and prices to be paid. But stories that are written to give us some hope, some magic to believe in, and characters with strength and morals and will that hopefully can inspire readers to do the same, even if it’s in small ways.

Is that enough? I don’t know. Probably not. Maybe I’m even a terrible person for offering hope at all. I don’t believe that–not usually–but today’s been a challenging day and I’m not sure I’m the good guy I want to be when I write stories like this.

But no, fuck that.

I am not one to give up. Even when my brain chemicals were telling me to do so every day, I fought back because I do believe that we can be better and do better, as my character Vali boldly asserts. All my characters take parts of my heart and my head and put them on the page to keep me going as well as you, because we all need that kind of hope.

We can’t give up. This is the only planet, the only people, the only existence we know for sure we’ll get.

The Biggest Person in the Room

But if she was nervous, then it was up to him to make her feel more secure, right? That was what Grum always told him. “When you’re the biggest person in the room, you have to put the smaller ones at ease. Otherwise you’ll always be a threat, and you can’t trust anything a threatened person says or does as being true.”
[Ettir, from the upcoming Eleriannan novel]

I am not a big person.

Okay, let me expand on that statement a little. [yes, the pun, the pun]
I am a fat person, and my personality can be pretty big. But I am neither tall nor intimidating in appearance. I don’t have a lot of industry pull in any of the industries I’ve been involved in. I was a name that some people knew and respected–or despised, usually without actually knowing me–in both fiber arts and the goth/industrial music scene.

In the world of SFF, I’m a tiny sprout who gets some recognition but has a long way to go. That’s okay! I have no desire to rush my growth or increase my platform before I’m ready or deserving. My influence is small, and my audience is still pretty intimate. That’s not a bad thing. I know I’ll get there on my own time. But it means I can’t count on any kind of status to draw attention to the things I want to see succeed, or the things I want to see change. I have to do it a different way.

What I AM is loud.

This is a thing that anyone can do, although being loud can cost you. Being loud often makes people nervous, much like how Etttir’s Grum warned him about. Being loud makes you look bigger than you are, which is intimidating. That’s why I make sure to be loudest in service and support to other people and bigger causes.

It’s also easier to be loud about things that aren’t your own. You don’t feel like you’re taking up all the oxygen in the room. You don’t feel like you’re hawking your own projects constantly. And people will pay more attention to you if you’re making it about other people and causes more than you do yourself.

Loudness can be a kindness.

It takes the pressure off of those who are struggling to get the word out. It points out places that need attention to those who might be able to help. It can be employed to point out injustices and inequalities, and start the ball rolling for change, or at least introspection and discussion. You can use loudness as a weapon, but I prefer to consider it a tool.

I use loudness to try to balance the all-too-often-dominant voices in genre; instead boosting the posts and projects of BIPOC, Black, queer, disabled, and otherwise marginalized writers and indie publishers, the DIY and self-published authors who chose that path for important reasons. I use it to do my best to counter the voices already propped up by white supremacy and misogyny and capitalism and classism. It’s not always successful, but I keep trying, remembering that loudness can only take me so far when I’m still not quite big.

I can be loud when others need someone in the room to be loud for them; indeed it’s much easier for me to be loud on the behalf of another than it is for myself! I can use my voice to defend those who are beset by assholes who only want to tear down the more vulnerable. And I can be loud on panels, on social media, or at events where my influence can be much bigger than my actual size just by virtue of my loudness and enthusiasm.

I use my loudness to spread love.

“Promote what you love” I say and I mean it. As I said above, the best part about being loud is boosting the profile of people and projects I want to see succeed, the ones that aren’t mine. I also am ready to cheer on and cheer up anyone who is doubting themselves, needs a cheerleader, or needs a positive spin on things. I’m going to be in the corner of those who are suffering from impostor syndrome or struggling with a bad review. I know how those things feel! You can learn a lot from them but sometimes you first need someone to point out what’s great about you and what you create.

Does that make me a threat?

Honestly, maybe it does–to people who probably should be threatened by me. And for a lot of the people I challenge, I don’t trust what they have to say anyway, so nothing of value is lost.

To those that I champion? No, I’m in your corner. To myself? Possibly! But that’s been a lifelong problem.

What about you? Do you want to be the biggest person in the room, or the loudest? And if you are the biggest person in the room, who are you being loud for?

The Big Purge of 2026

Operation: De-Google-Fy!

So it’s come to this; the state of enshittification has become so entrenched that even Google can’t just do the job it was made to do without turning to an AI summary-bot to break a search into tiny nuggets of almost-info that feels designed to discourage deep dives or inspire curiosity. And worse, the last update made it so Chrome has eaten up all the space in my storage and is making my computer run very slowly.

I’m tired, y’all.

There’s AI in my search, my email, my cloud storage, my calendar… all places that I don’t want or need it to be, while using up massive amounts of water and electricity. So what’s your intrepid writer pal to do? Burn it all down!

…well, not exactly. But I can and will remove all traces of the Google platform from my computer and my life, even if it takes me a little while to research options and de-entrench myself.

Here’s the funny thing: I have been using Google for my email and storage and calendar for a loooong time. I’d thought about weaning myself from them for a while, but put it off because I thought it would be a pain to do.

Y’all. I was SO wrong.

After some research I decided on trying Zen Browser, which is a free and open source app which runs on Mozilla account but you can choose the search engine it uses, and I went with Duck Duck Go. You can easily import all your bookmarks, passwords, and other info saved in your Chrome browser, and there are multiple workspace options where you can break your most used tabs into separate folders. I imported both of my Google accounts and split up the various tabs I usu regularly with each of them into separate folders, easy peasy. The learning curve was tiny and my only complaint so far is that certain media websites are not usable with Zen, because of DRM restrictions. That’s not a deal-breaker, because with the ENORMOUS amount of room I have on my laptop now that I’ve removed Chrome, I can download the apps and run them directly.

Did I mention that now my laptop has PLENTY of storage and is running smoothly and faster than ever? Yeah, fuck Chrome.

Next step? New email!

I already have an “official” email that all my newsletters come from, but my day-to-day stuff comes from two different gmail accounts. Surely switching from those would be a pain?

Hahaha NO. It was SUPER easy, thanks to ProtonMail. Again, it was a one-click import that brought over all my contacts, emails, and labels with no issues at all, and now I’ve been using it for a day and love it already. Calendar, the same. Next up is switching my storage and exploring the other Proton offerings. You can use the free tier or if you want more perks you can pay, but there’s plenty of usability on the free tier. I am thrilled by this.

No AI in my tools!

So that’s it, that’s the story of purging my computer of AI bullshit and the giant energy/space suck that is Chrome. I can’t completely eliminate it just yet because of some shared folders/etc with groups I work with, but soon enough I’ll be free.

[ironically, WordPress just added AI tools, but so far I’ve been able to avoid them being any kind of issue. I don’t want to go back to hand-coding my website again, but if I have to, I will. AI might not be totally avoidable in the programs we use, but there are options and we can avoid using AI in programs we need to keep working with. I’m not interested in GenAI anything and I hope the bubble bursts soon so that we can get into actual advancements in our programs.

If you’ve switched to something new to avoid GenAI, feel free to comment! As for AI fans/people in a rush to cape for AI… don’t bother. I’ll remove anything that gets through my filters. Go sell your thneeds to someone else.

My notes for Fatphobia in SFF

Hi friends! You’re probably reading this after attending the Fatphobia in SFF panel at Balticon 60. Or maybe you stumbled onto this post while doing research about the subject. I wanted to provide my notes from the event in a simple post for those who want more context, thinking material, or further reading. I’m just simply dropping this in for now and will fancy it up later. The most important part are the links!

Fatphobia in SFF 

SFF has a dreadful legacy of fatphobia. Fatness often is equated with villainy and sloth, or with a helplessness to be shed over the course of the story. If they’re not dying first, fat people are usually the butt of the joke. Who is writing these types of characters better, and more importantly, how can the genre world follow their lead?  

With Pallas A. Bane, Jen Finelli, MD, Christiane Knight, John Robison (Father John) moderator

Fatphobic character portrayals:

  • Dune – Frank Herbert. Baron Harkonnen, specifically designed to not only be “grossly” fat but to revel in it, a bit meant to disgust the reader
  • Thinner – Richard Bachman/Stephen King featuring a curse that causes a lawyer to drop pounds rapidly
  • Jabba the Hutt – pretty much the same kind of tropes as Harkonnen, using fatness/grossness to signal evil
  • Wall-E – fatness is used as a metaphor for sloth and overconsumption/consumerism and often fat characters’ weight is used as the butt of jokes [and I did like this film, but *despite* that] [oh yeah, and fat=disability also which is problematic at best]
  • Harry Potter, which has WAY more wrong with it than Dudley Dursley but we’re here to talk fat

Depends on how you feel about it:

  • Fat Thor, which was played for laughs but also felt to some folks like representation
  • The Adipose in Doctor Who, “Partners in Crime” 
  • Kingpin, called “The Fat Man” but is also incredibly strong
  • Ursula in The Little Mermaid – a character with agency and wit, iconic, but also monstrous, someone who stole Ariel’s voice for her own agenda 

Some positive portrayals of larger bodies:

  • River of Teeth – Sarah Gailey. Archie is a gloriously well written fat person. 
  • “Cloud Dweller” – E. Catherine Tobler
  • “Maggies” – Nisi Shawl
  • Dust Bowl Revival – Marianne Kirby – Henrietta Goodness is a fat hero that other fat folk can relate to
  • Six of Crows – Leigh Bardugo
  • T. Kingfisher, Terry Pratchett’s books
  • Brimstone & Roses by Mei Rothschild on WebToons – MC Bea is definitely flawed [I mean she summoned a demon to be her date to her ex’s wedding] but lovingly written and drawn
  • Avatar: The Last Airbender – Uncle Iroh

Some thoughts I only shared in part on the panel:

Humanizing people, instead of othering them, is the key to writing well balanced fat characters. Their fatness shouldn’t villainize them or be a characteristic that demonstrates their vileness. Nor should it be the most notable thing about them. If you wrote me as a character, how would you describe me? More importantly, how would I describe myself? Is my fatness important to the roles I play in my life? If it’s notable as more than a description to round me out [yes, I chose this wording on purpose] in the reader’s mind, why? What does my fatness as a character serve? These are all important thoughts to consider when writing a fat character. At the end of the day, in this world at least, my body size and shape are the least interesting things about me. In a science fiction or fantasy setting, that may differ but there had better be a good reason to dwell on it that doesn’t diminish me as a person.

Leaving out fat characters is also fatphobia. We are everywhere in daily life. We deserve to be on the page and the screen, but as fully-formed people, not a distillation of our body shape and the usual tropes that go along with fat characters.

 

Please investigate the essays and writing of fat activist and excellent writer Meg Elison, author of the Road to Nowhere series. Also, she and Marianne Kirby offer an on-demand master class on writing fat characters over at Writing The Other. 

Also worth checking out: the Fat Books Database, hosted on Google Drive
https://docs.google.com/spreadsheets/d/10W6b3Dmeh6xCv4rQlScVDgXPFXQQisJIF6DaZBYooPw/htmlview


More Links:


Writing Fat Bodies w/ Marianne Kirby and Meg Elison – https://writingtheother.com/writing-fat-characters-2023/

A scathing critique on The Whale from Lindy West – https://www.theguardian.com/film/2023/mar/10/lindy-west-on-the-whale

SFF’s Big Fat Problem by R.K. Duncan : https://www.tor.com/2022/10/25/sffs-big-fat-problem/

The Fat Body Problem by Meg Elison: https://www.uncannymagazine.com/article/the-fat-body-problem/

A Small List of Large Characters: Fat Representation in SFF by Jessi Cole Jackson: https://www.sfwa.org/2017/11/28/small-list-large-characters-fat-representation-sff/

Strong Women–Strange Worlds on May 1st and Beyond!

First and Foremost: Please join us on May 1st 2026 for a free, virtual QuickReads session with six women and non-binary authors!


Happening this Friday May 1st from Strong Women – Strange Worlds, we have a fantastic line-up of talented women and non-binary science fiction, fantasy, and horror authors: Elly Bangs, A.L. Kaplan, Lauren Beukes, Anne E.G Nydam, A.Y Chao, and E.D.E. Bell. Join us for this free live virtual reading and stay for the fun chat and community. There will be prizes/giveaways from the authors as well – you won’t want to miss this!

https://www.eventbrite.com/o/strong-women-strange-worlds-33460611105

These QuickReads happen twice monthly: on the First Friday at noon, and on the Third Thursday in the evening.

Lately, we’ve been playing around with what evening time will be the best for the most attendees. It’s hard these days to know what affects attendance, and it’s even more difficult to reach possible attendees and future community members. I don’t have to tell you that it’s exceptionally hard to break through the endless onslaught of upsetting news. People are burned out, exhausted, and broke. We get that because… same, friend.

It’s one of the reasons why I love SW-SW though: it’s free. It comes to you where you are, via Zoom. It brings you entertainment from six writers of fantasy, horror, and science fiction, and a robust discussion afterwards with the authors in a community that cares deeply about genre writing and supporting women and non-binary writers. And if for some reason you can’t attend when it’s happening live, you can always check out the recordings on the Strong Women-Strange Worlds YouTube channel.

Heck, we’re even putting together podcasts with even more interesting discussions!

I’m mentioning this because I’m part of the SW-SW committee, as the head of the Audience Outreach team. I do this because I believe strongly in our mission and work. We’re a small group of volunteers who want to provide a space for genre works from marginalized groups to get more attention, and we work really hard to make that happen.

I’d be touched if you took some time to check out one of our upcoming readings–or multiples! Please help us support what we want to see more of in this world. And if you could share this post with others who you think would enjoy this, that would be so wonderful. Thank you!

The cover to novel A Small Light in the Darkness overlaid on a photo of lightning. Next to it, text reads: Launch Party; chat and reading with Christiane Knight

Missed the Launch Party? I got you!

…and other news!

If you missed yesterday’s Launch Party for A Small Light in the Darkness, never fear! I have uploaded it to YouTube and will also embed it at the bottom of this blog post, for easy access. Expect a very animated me talking at length about research, process, and the personal connections that went into my story, as well as a reading from ASLID.

…I had so much fun! I think you can tell.

Also, in the portion of the book that I read, Fo shares a video with Tryst about murmurations that he found to help him understand what she was referring to. If you’ve been on ye olde Internets for a long time, you may have seen this previously, but it’s always a good day to share it, in my opinion.

It’s perfectly magical and captures exactly the kind of beauty that Tryst and Fo both talk about that people often overlook.

Ratings! Reviews! Help me get seen?

As a small indie/self published author, visibility is a real struggle. I don’t have the kind of money to drop into big ads, and honestly I have my doubts as to how effective they actually are. Not to mention, I really don’t want to go that route. It feels icky. I love the idea of word-of-mouth advertising and growth on merit, but I also know that I’m a starry-eyed mooncalf and it’s really difficult to get any traction in the fast-moving world of algorithms and social media darlings that flash and burn.

So here’s my ask: if you’ve read my novel, will you leave a rating or review somewhere? On Goodreads or LibraryThing or TheStorygraph or IndieStoryGeek or on your blog or social media? Every time you tell a friend or stranger about an indie author, we loosen the grip of big publishing on storytelling! And you’ll help me get this story into more hands too. 💜

If you haven’t read it yet and need a copy, it’s slowly making its way everywhere! In the US, you can buy a signed paperback directly from me, or an ebook if you’re anywhere in the world. If you’re outside the US and buy it elsewhere, I’m happy to send you a signed bookplate. The ebook is available everywhere, DRM free because I love you.

I already have two amazing reviews up on Goodreads, both from folks in the field who have very kind things to say about ASLID. I feel very fortunate.

While you’re here, a question:

Doing the launch party reminded me how much I enjoy putting out visual content, and it made me want to do more videos, like I used to do. Question is: would you enjoy that? I can bring back Office Hours and maybe even restart doing my serial readings from In Sleep You Know… or something else that maybe you really want to see. Leave a comment with your vote!

And as always, my deepest gratitude for your ongoing support, dear friends.

What’s it like to be free?

A lot of the time I post here with an intention in mind: talk about writing, my books, give updates. But why I originally started blogging, long long ago, was to collect my thoughts and share them with people who might feel the same way or feel seen.

Lately my challenge has been to do all of the first part while the world is in crisis. Maybe that’s why my speculative fiction writing has turned more towards critically looking at the fucked up things that are happening these days? It’s been said that one of my great strengths as a writer is that I write believable, relatable characters–and I agree. It’s because they draw from my own experiences and thoughts, and those of people I’ve known, which is why they ring true. They often deal with situations bigger than themselves and have to make tough choices. Right now, like them, it’s hard for us to be surrounded by all these horrible things happening. We feel too small to fight on our own and sometimes even struggle to get our minds around the reality we’re in; it’s just so BIG and sometimes it feels almost unfathomable to understand how we got here.

Note: it’s not unfathomable. It just feels that way, because looking at the steps that took us here is painful and requires us to be honest about ourselves, our society, and our roles within that society. Self-examination is a skill and many people aren’t willing to develop it or be honest with themselves, because they don’t like what they see. But we can’t change things if we don’t acknowledge our roles in those things.

Self-examination and action. That’s what we’re missing.

And of course modern life these days [carefully curated by the powers that want it this way] is structured to keep us from thinking and action. It’s no coincidence that instability, uncertainty, and the crushing weight of what it takes just to survive [much less thrive] keeps us off-balance and busy. That’s how fascism works. Meanwhile we’re out there struggling to pay the bills and keep our jobs while the very rich force us out of our jobs and do their best to dumb us down into a serf class. Or in my case, take away the systems that help to keep me alive. We’re only valued for what we can do for them.

Of course that’s demoralizing. That’s the point.

So how do we get free?

Oh friend. If I only had a pat answer for that question.

We need to pay attention to what others did to break free. We need to take our education into our own hands, as well as our entertainment, our goals, and our destinies. But the challenge these days is that we have propaganda and distractions right in our hands all day long, seemingly inescapable. Our entertainment, education, and communication system–the Internet–has been taken over and commodified by programs owned by the very people who look at us as commodities instead of people. Yes, the irony of me writing this in those spaces is not lost on me. Most of my network of friends and colleagues are accessible to me only through online means. It’s a conundrum that I can’t escape, so I do the best that I can to mitigate the harm and choose platforms and services that seem the least impactful whenever I can.

No, it’s not a solution. It’s working within parameters that I can’t control so that I can exercise control somewhere.

Every day I watch people just give up on those small protests, those tiny ethical choices that at least give us some way to rebel. But look: those small motions accrue. They add up to bigger impact over time, like how a tsunami might start small but swell to a huge wave or a giant rush of water. And if nothing else, they tell our brains the important message: WE HAVEN’T GIVEN UP.

We have to fight for freedom.

Some fights require hands or weapons. Straightforward resistance, you know? What most people consider the purest form of resistance, even if they don’t realize it.
Resistance is more complex than an outright battle, though.

Resistance starts with “No, I won’t do that.”

  • I won’t turn in my neighbors to a group of people who have been proven to be cruel and lawless.
  • I won’t use or endorse the tools of fascists like AI, crypto, or billionaire controlled and monopolized media.
  • I won’t discriminate against those of other genders/presentations/sexualities, nationalities/races, religions, cultures, social classes, abilities or disabilities; differences make the world richer and more vibrant.
  • I won’t spread propaganda or disinformation, nor will I be a party to banning books from any source.
  • I won’t support your hateful regime.

What are your next steps? The positives, of course. What you will do. What do you stand for? What do you want to see more of in the world? You need to get vocal in your support of it. Speak up, protest in whatever way you’re able, call your political representatives or even show up where they’ll be if they won’t listen. Put your money, time, attention into the places you want to champion. In my case that’s support for the homeless/unhoused, feeding people, disability rights and benefits, gender and sexuality equality and acceptance, and education for all.

What will you champion? How will you fight to be free?


I guess if you were looking for a “regular” update you might not have read this far. My mind’s been consumed with two things: the upcoming book release of A Small Light in the Darkness, and our fast-tracked descent into fascism. It’s really hard to be out here yelling about pre-ordering my speculative novel while watching a war happen, various genocides, the rapid, orchestrated decline of reading comprehension, a number of environmental crises, and honestly too many other things to list out. It’s not like y’all don’t know.

I woke up feeling both as hopeful and desperate about the state of everything as I could possibly be. I see people trying to do good in every way they know how, and others [generally those with more immediate power] sacrificing the planet and its inhabitants to line their pockets with ultimately worthless paper.

And here I am with a story to tell you, to hopefully sell you.

Apologies to KC Green.

Maybe it’ll spark hope in you. Maybe it’ll serve as a welcome distraction. Maybe you’ll feel good supporting an honest-writing, deeply caring author who has dreamed of reaching you with their words and making a difference to you or the world.

Maybe I’m just whistling in the dark. You can join in, if you like.

Anyway, I hope that you pick something to champion today. And maybe pre-order A Small Light in the Darkness, if you want to think more about the decisions that my characters have to make and the big question of what makes us who we are.

Proofs for A Small Light in the Darkness are here!

One of the most nerve-wracking parts of being an author is waiting to see the fruits of your hard labor and trying not to be nervous about whether it looks like you envisioned. In my case, this time is the hardest it’s ever been to wait, because I did almost every part of this book on my own! From writing to cover design to formatting to sourcing interior illustrations–it’s 100% my baby. My team this time was editor Fiona and my trusty alpha readers Christopher and Stacie. [I couldn’t do this without them!]

I did it DIY.

In the past, I have hired a very capable, lovely agency [3 Ferns] to handle hiring an editor, doing formatting, and cover creation, and they also talked me through all the small details that one needs to know in order to have a successful book launch. And there are so many small details! You need ISBNs. You need an illustrator or someone who can design from the appropriate assets. You need to arrange paperback and ebook distribution across platforms and countries. I could go on and on, but the gist of it is that I carefully absorbed the process while I published my first three books, so that I could eventually do everything myself, or at least as much of it as I could.

If you are a writer and are considering self-publication, these are skills that are worth acquiring. In my case, I was happy to pay someone else to do it and chose to be involved so that I could educate myself, but I’m not in a position these days to hire out that work. Thankfully most of these tasks weren’t far removed from my current skillset. There’s nothing wrong with paying someone else to do these things, though! These are things that a traditionally published author’s publisher would do for them, but there’s often less control involved for the author. [see my various discussions about traditional vs. self-publishing]

What’s next?

Now that I’ve seen the proof and know that it lives up to my expectations, my next step is to approve the book to go to print. There’s a pre-order option available on Amazon for the ebook but paperbacks can only have a scheduled release date. However! You can preorder the paperback directly from me, and if you do that you’ll get a signed paperback and a cute package of carefully chosen extra goodies too. I’ve already set up ebook distribution across multiple platforms, but it always takes a bit longer for paperbacks. Eventually you’ll be able to find ASLID on all of them.

After I approve the proof, I’ll also order my own copies for sales via my website and in person. If you’re in the Baltimore area, you’ll have several opportunities to purchase them from me and chat with me in person!

The proof of A Small Light in the Darkness along with the original proof copy of A Third Kind of Madness, the Indie Ink Award Finalist in four categories [yes I’m bragging a little]

What happens to your proof copies?

That’s a very good question! Some authors will give them away to readers or friends. Me, I use them as “book bible” additions–I’ll highlight, tab, and bookmark quotes and excerpts for future readings, discussion, and promos. I treat them as precious, because they are! I don’t feel bad marking them up; that’s part of their purpose for me. I have proof copies for all four of my novels now, and I refer to them often.

I also keep author copies, by the way. I love the way they look on my shelf! I do readings with them sometimes though I prefer to print out the reading selection because it’s easier to read from and avoid stumbling or mistakes when reading. But there’s nothing cooler looking than reading from your own book, right?

Don’t forget the Launch Party is coming!

Speaking of readings, I’d love if you joined my Launch Party! It’s happening on April 4th at 2pm EDT, and it’s free on Zoom. I will read from A Small Light in the Darkness, as well as hold an author chat where who knows what I’ll discuss? There will definitely be some talk about the soundtrack, connecting with total strangers in probably ill-advised ways, real life locations highlighted in the story, and what parts of the plot were based on actual scientific research. You can register for the Launch Party right here: https://christianeknight.myflodesk.com/qav0bga5rp

How long until A Small Light in the Darkness is available?

Join me for a Launch Party on April 4th 2026!

I’m so pleased to announce that you are invited to the official Launch Party for A Small Light in the Darkness!

I’d love it if you joined me for a free event on Zoom, happening on April 4th 2026 at 2pm EDT. I will introduce A Small Light in the Darkness, give a reading from the book, and answer audience questions. Plus I’ll talk about some of the research I did, what inspired me, and of course chat about the soundtrack. There might even be a giveaway or two!

Just click here to go to the registration page: https://christianeknight.myflodesk.com/qav0bga5rp

If by chance you don’t receive the Zoom link after you signed up, please email me at contact at christianeknight.com and I’ll get you set up.

Hope to see you there!

2026: Off to a BIG Start

Dearest Friends and Faebies, 2026 already feels like it’s been a year long.

Which I guess it has been, in one way of looking at it. A year can be 365 days or the length of what we’ve lived so far in that time period, right? Things have been bad scary a shitshow here in the US and other places. Y’know, I want to focus on some positive things happening in my life, because art is important and success by queer disabled weirdos is an affront to fascism. But first I need to say a few things upfront, so we all know we’re on the same page.

…I mean, if we’re not, have you even read my books?


We in the US are living on stolen land, in a country built on stolen labor.

NO ONE can be illegal on stolen land. The systems the people who stole that land–white people–set up to control those enslaved for the labor that built this country have never been dismantled. They were only adapted. We’re seeing that now, in every aspect of what’s happened previously and is happening currently in the US. Black and brown people have always been marginalized here, always exploited, and we are once again seeing those who fear that reality flipping and putting THEM in that place flexing the power they’ve amassed to try and ensure that never happens.

They want to eliminate anyone who doesn’t fit into their small-minded idea of who counts as a person, those who just by existing demonstrate how weak and pathetic and useless these people actually are. They would kill off queer people, trans folk, the BIPOC folk who don’t bend their knee to them, the disabled, the ones who don’t subscribe to their twisted version of religion or “values.”

Fuck them, and their fascist government and their genocides. Fuck their hatred of community and culture and love and neighborliness. Everything they stand for is the opposite of what makes us good and kind and powerful. Fuck that. I will always be in opposition to what they stand for.

Oh, and fuck ICE.


That’s the bare minimum of words I have on this and related subjects, but I didn’t want to leave the first month of 2026, where as it stands currently [as far as we know] at least nine people have been killed by ICE, without making completely sure that my readers are on the same page of me. If not, here’s your door to leave –> 🚪

Now for some good things in 2026.

You might have noticed that there’s a store on the website now! If you are in the US you can now purchase my physical books and other related things directly from me without having to go to Ko-fi to check out. Unfortunately because of the current situation in the US right now I can’t ship outside of the US, but there’s a variety of retailers that carry them in your area. And of course DRM-free e-books are always available from me directly.

I also moved the “Membership/Support” option away from Ko-fi, which is a big deal! Now you can either do a one-time support or subscribe to a membership via Square checkout. That simplifies things for me in a big way. Members will get special emails directly in their inbox that will have behind the scenes info, scene shares, advance opportunities, and more. It’s basically what I was offering on Ko-fi but without a middleman.

In somewhat related news, you might have seen me talk about my Three Ravens Press mugs that I designed through Bonfire and how I am giving all proceeds to Leftover Love, Inc. LLI is a Baltimore-based 501c3 nonprofit that rescues fresh leftover food from local businesses for those in need. Through sales of the Three Ravens Press mugs I’ve already been able to raise almost $100 for their cause, and I’d like to do more!

I’ll be moving all my Bonfire-produced merch to a charity model this month! I’m looking for at least one more Baltimore-based charity to support, preferably one that aligns with the values that are touted by Vali and the crew at The Maithe. Mugs will support feeding people through Leftover Love, and t-shirts will go to the yet-to-be-chosen second charity. If you have ideas, please do leave them in the comments!

Look for an updated page where all the charity merch will be collated sometime before the end of January, hopefully!

ICYMI, A Third Kind of Madness is officially a FINALIST in the Indie Ink Awards!

ATKOM is a finalist in FOUR categories:

  • This Book Made Me Hungry/Thirsty
  • Writing the Future We Need: Bisexual or Biromantic Representation
  • Writing the Future We Need: LGBTQ+ Representation
  • Writing the Future We Need: Trans or Nonbinary Representation

I am extremely proud and also humbled by the thought that readers voted to put my exploration of magic-triggered obsession with a nervous and quirky enby protagonist into these categories. Y’all, only 10 books from a WIDE selection make it to this stage. That’s HUGE.

Now it’s up to the judges to read all of their assigned books and decide what they think. I thank all of you who supported ATKOM in the contest and otherwise, and I’ll keep you updated as I learn more! It will be a while before we know for sure, but even making it to this round is such an honor.

A Small Light in the Darkness is open for paperback preorders and ARC requests!

You heard it here first! After the successful cover reveal of ASLID went so well, I busted tail and got the preorder page up for paperbacks. I should have e-book preorders up by the end of this week as well. If you’ve been with me for a while, you know that my paperback preorders always come with an assortment of cool goodies, making it a whole vibe that goes along with the story. [Famously the packages for In Sleep You Know came with representatives of some of the gifts that Merrick was given. And tea, there’s always tea!]

This time I’m going to put together something cool for folks who preorder the e-book, as well! It’s another “stay tuned” announcement, because I want to make sure I have everything together to make a Very Cool and Enticing Announcement about it.

Also, if you are a booktok person, a blogger, or book reviewer and would like an ARC copy, I have the form for you! If you’d like to be on my street team and help with honest reviews on sites like Goodreads, The Storygraph, and the like, as well as getting the word out, that’s the form for you to fill out too. I don’t have the release date set in stone yet – I was going for the end of January but as you can see we’re AT the end of January and I am not ready… so Spring 2026 it is.

Before I go, I wanted to remind y’all that in this time of strife and uncertainty, soft and welcoming places to spend some time and share community are extremely valuable. And as I’m on the committee of Strong Women–Strange Worlds, I’d be remiss if I didn’t spend a moment talking about how their twice-monthly, free virtual QuickReads event offers that. SW-SW features six women and nonbinary authors of science fiction, fantasy, and horror in 8 minute segments in their QuickReads, and you can often find well-known authors alongside new authors who are ready to be added to your list of favorites. I never fail to come away with additions to my TBR list!

QuickReads happen every First Friday and Third Thursday and are always free to attend on Zoom. We’re also expanding our offerings via YouTube to include a podcast and QuickReads remixes. You can also find past QuickReads there as well!

Our next QuickRead is happening on February 6th, 2026 at 12 noon Eastern, and features authors Gita Ralleigh, Lisa Morton, Minerva Cerridwen, Melissa Widmaier, Rachel Handley, and Victoria Goddard. You can register for this QuickRead and other upcoming ones at https://www.eventbrite.com/o/strong-women-strange-worlds-33460611105

Are there other good things happening in 2026? There ARE But my blog post is getting long and I think I’d like to save some things for later, so I can keep spreading some joy when we need it most. Thank you as always for taking this journey with me, friends, faebies, and friends-to-be.