soundtrack

3 posts

Mixtapes as a Love Language

Why should a story need a playlist, anyway?

I’ve talked about the soundtracks [aka mixtapes] to my books a couple of times here, and how the music is part and parcel of the atmosphere and story — integral, if you ask me. You could read the stories and never listen to the tracks I chose to go with each chapter, but you’d be missing out on some of the nuance and thematic references. I mean…it’s up to you, I guess

Seriously though, the concept of a soundtrack for my stories comes in part from the longstanding tradition in visual media, sure, but even more so from my longstanding tradition to make mixtapes for people I care about, or who I want to care about. I’ve been making mixtapes since I was about ten years old; at first, I used one of those old cassette recorders with a condenser mic and buttons that would make a loud CLUNK every time I would stop the player. My very first foray into learning how to make a proper mix was figuring out how to eradicate that CLUNK from the recording.

[The secret sauce was using a pencil to roll back the tape just enough to start the next recording over the bit of tape where the terrible noise had been. That trick served me well for years of making mix tapes without a fancy mixer!]
Oooooh, when the minutes drag…
Photo by Idin Ebrahimi on Unsplash

Mixtapes are my love language. Even though I make them these days using CDs or Spotify, the general aesthetic and motivation is still the same. I make them for people I care about, or that I’m really into. Often they’ll have a theme or mood, and I choose every song carefully to match that. The songs build and ebb and flow, creating a journey that needs to be followed from beginning to end in order to get the overall effect properly. It’s funny, because I approach DJing in the same way, and it’s served me well. There’s a real art to building the energy of a dancefloor, and the same with a weekly show, though the energies are generally different between them.

The same applies to my book soundtracks, and it makes sense, because the plot of a book has that same sort of organization: rise and fall, ebb and flow, with an overall theme and direction. And the best mixtapes I’ve made, like my favorite novels, have covers that I can’t forget. I am a firm believer in making cool covers for my mixes. That’s part of the aesthetic, too.

Fun fact: I used to be the person that people brought their cassettes to for repairing.
Photo by Dan-Cristian Pădureț on Unsplash

When I started dating my partner, I gave him a mix CD on our very first date. [We’re coming up on six years together, and I would put money on the mix being part of that.] One of my friends digitized a mixtape that I made for him back in 1986, and it’s just as good now. The music isn’t new but it feels fresh. It’s a testimony to the power of mix tapes that he’s kept it for 36 years and cared enough to rip it to newer formats.

Want to win me over? Make me a mixtape. Bare a little of your soul with it. Create a cover that says something about the mix — it can be a drawing, a collage, something digitally manipulated. Whatever feels most honest.

That’s what I did for all of you with my books. I put together a couple of mixtapes and gave you stories to go with them, and pretty covers that reflect what’s inside. The mixes are as important as the novels. The stories are as important as the music. It’s all full of love.


BTW, if you want to read more about the philosophy of making mixtapes, you can’t do much better than going to one of the masters of talking about music and its importance, Nick Hornby. High Fidelity, of course, but Songbook not only goes into great detail but has its own mixtape to listen to.

The Words Make A Difference

The Importance of Poetry & Music

I know I write a bit about the importance of the soundtracks for my books, but there’s a reason for that. Poetry – the lyrics that shape the direction of the feelings being evoked by the instruments and tune that they ride on – makes or breaks a song for me. And when used well in an accompanying soundtrack, those lyrics can develop undercurrents of meaning and energy, and even deliver secrets about the characters or plot.

I’ve spoken about how I carefully match each song to the chapter it heads, and I’ve even mentioned that certain songs remind me of specific characters – basically, their theme songs. But I also pick songs for lyrical content that reflects what’s happening in that chapter, or in some cases, what’s happening concurrently in the plot but isn’t the main focus at the time. It’s one of my favorite ways to add layers to to the tale.

But the reason I wanted to talk about music, specifically lyrics, is because I was listening to one of the songs I’ve included on the soundtrack to the upcoming sequel to In Sleep You Know [title announcement coming SOON], and the poetic imagery of a few lines in Queen Of My Heart, by New Model Army, was so evocative that it brought tears to my eyes.

Here, have a listen:

You can read the lyrics here: https://www.newmodelarmy.org/the-music/lyrics/214-queen-of-my-heart

When Justin begins describing the sky, and how he can feel the dark and how cities and deserts are the same, I always find myself holding my breath, tears building behind my eyes. It’s such a strong, meaningful bit of imagery, a scene painted out in an economy of words that somehow never fails to put me right in that moment.

My personal understanding and meanings behind the song changed recently when it became a song that represents how one of my characters, Sousa, relates to Vali and his relationship with her. That deepened the resonance of the lyrics, which were already heavy with personal feelings for me.

Before I was writing novels, I was a poet. To build a series of emotional responses from a carefully crafted stack of words and concepts, each creating a connection of thoughts that paint a picture or represent a feeling or concept is a heart-skill. Poems look easy to those who do not write them, and poetry crafted into meaningful lyrics even more so. Lyrics require a deft hand and the ability to transmit a sentiment or trigger a response with less words, carefully entwined with the music in a way that increases the emotional punch. Lyrics removed from music often look simple or trite, because removing them from their scaffolding weakens their effect.

As someone who uses lyrics in my novels, that presents an interesting challenge. I write my own lyrics. They do have music that goes with them, but not transcribed or recorded, and at this juncture I’m not interested on taking that task on. So when I write about The Drawback performing and I include lyrics, I risk them coming off as overly simple – bad poetry. But they are missing that aforementioned scaffolding, so my job as a writer is to describe what sounds and sentiments are supposed to be there as support, so that the reader can imagine them in their mind. If I’ve done my job well, the reader should get an immersive mental experience bolstered by their imagination and the imagery I’ve conjured up.

My old band, The Violet Dawning, proof that I do actually know what I’m talking about when I write about music 😉

It’s always a risk that it won’t work. But when it does, you – the reader – will feel that music, even though there’s none to be heard, and the emotional content of the lyrics will have the proper punch.

When you put on your favorite music that has lyrics, how does it make you feel? What effects you the most in the track, and why do you come back to that track time and again? What song would you insist must be on your personal soundtrack, and why?

Now take those questions and apply them to your favorite stories and characters, and see what you come up with. It is such a fun exercise, and it can give you interesting insight into characters and parts of the storyline you might have never paid attention to before! I’d love if you shared some of those pairings in the comments, here or on Facebook. Go forth and listen with a new focus!

About the Soundtrack

I’m definitely not the first person to create a playlist that goes along with their book, or even to promote that fact. But I can tell you that anyone who knows me was not only not surprised that I did, but chances are good they would have been flabbergasted if I hadn’t!

Music infuses every part of my life, so it’s no wonder that I have songs connected to each part of the story of In Sleep You Know. Not only does each track that heads a chapter give a bit of the mood for that chapter, but some of the tracks are connected to specific characters and their personality or story arc. There are also some tunes that aren’t chapter headers, but are part of the action, like songs that The Drawback covers, or that get spun at Club Marcada.

You might note that the songs span timelines from the 80s to current time, and are all Alternative/Goth/Darkwave acts. That’s also informed by my personal tastes, but these characters are all people I would have known at the concerts and shows and clubs I’ve gone to over the years, and this is the music they listen to and identify with.

When I hear “What We All Want” by Gang Of Four, I see Sousa striding down the street, full of drive [and possibly beer], headed off somewhere to solve problems and talk sense.

Merrick’s got the Joy Division in his personal soundtrack, of course – I mean, he’s the one who named the band The Drawback. And he does a mean cover of “Heart And Soul” too.

When I hear Siouxsie and The Banshee’s “Love In A Void” my mind immediately pictures Lucee doing those yelps and jumping around on stage.

“Wild World” by Love Is Colder Than Death is very much the state of Genaine’s mind, and everything she’s been through, especially in that chapter.

Severed Heads “Heart Of The Party” isn’t so much a track that would get played at an Eleriannan party, but it sure does describe what Merrick’s feeling like while he’s there!

And you might notice the preponderance of songs about dreams or dreaming – which you might expect from a book entitled In Sleep You Know. Merrick and Aisling’s relationship and how she triggers prophetic dreams for him are referenced in many of the tracks.

If you’re interested in hearing some of the other playlists that I put together as part of my Radio Xiane project that also are representative of the music favored by the characters in the Eleriannan stories, you can search “Radio Xiane” on Spotify and listen to my collection of playlists there.

What other books with a playlist are your favorites? I’d love to hear about them! Please leave a comment below on on the Facebook page!