Monthly Archives: June 2025

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The Magic Between Us: Camlin

This post is part of The Magic Between Us series, an exploration and analysis of characters in the Stories of the Eleriannan series.

When we first meet Camlin Grimshaw, he is revealed as the villain of In Sleep You Know, the shadowy leader of an aggressive faction of Fae that have named themselves after him. He and his followers have a deep, burning anger that comes from many years of isolation and being othered, both from the mortal world and their own, and that manifests as hatred of the Fae social classes and mortals in general. If they can’t belong, then they’ll seize or destroy the systems that keep them out. 

In the course of ISYK we learn that Camlin is skilled at manipulation, and when that doesn’t work, he compels using his mind. He secretly uses members of the Gwyliannan faction as spies and for some of his dirty work, and isn’t above being cruel to those he uses, because in his eyes they’re part of the system he despises. Genaine in particular suffers at his hands, and it’s implied that he draws her into a relationship with and uses that as a way to further twist her to his will. 

Camlin is cocky, self-assured, and willing to do anything to achieve his goal of gaining control of The Maithe—or is he? We see several times where his confidence has cracks, and his fear and uncertainty peek through. It’s not until Cast a Shadow of Doubt do we explore this, and his motivations for how he acted, in any detail; in ISYK he’s a bit more mysterious and very unlikeable. He would say that he’s used to playing that role, but the truth is, as always, much more complex.

In CASOD, he first appears at the front door of The Maithe, holding an unconscious mortal, Emmaline, in his arms. He begs the Eleriannan to help her, at whatever cost to him it might incur. This is our first inkling that something has changed for Camlin Grimshaw, though not the extent of it. 

Why am I recapping all of this, with potential spoilers? Because to understand what made Camlin who he is, it’s important that we look at his terrible choices and actions before he started down a path to redemption. 

Vali says that she believes no one is beyond redemption, which is why she gives Camlin a chance by letting him in the door—even if she doesn’t consciously understand that as the reason at first—and this is his second advocate on the road to turning his life around. The first is Emmaline, who gives him space to be flawed and messy without judgement, which in turn encourages him to care about nurturing over destruction. Until that point in his life, he’d suffered through being feared and reviled by mortals for what he was, a magical anomaly that lacked control over his powers. He was rejected by his Fae father as well, who neglected to teach him how to use his magic properly or even how to blend in for safety, and who eventually left Camlin and his mother to fend for themselves. This was the catalyst of his hatred for mortals and the so-called Gentry; though he still wasn’t quite comfortable with the “lower class” Fae, they didn’t judge him for being a half-blood like the Gentry did. 

Neither Vali nor Emmaline excuse Camlin for what he’s done. Vali was there and suffered at his hands. She watched her friends suffer as well, unable to aid them. But she’s seen people do terrible things, often when they felt like they had no other choice or when they’d fallen so far that they no longer cared. She tries to meet people where they are, leaving them room to grow and explore the possibility of change. That confuses Camlin at first, because he knows that she has no reason to forgive him. None of the folks that he waged war against do. Being able to accept that he deserves whatever punishment he receives when he offers himself in exchange for helping Emmaline is all Vali needs to hear to give him leeway. In turn, she works to convince the others that they too should consider allowing him a chance to atone for his transgressions. 

But it’s Emmaline’s unblinking acceptance of him, terrible faults and all, that sets him on the road to change. When he first encounters her, he’s still leaning on his arrogant persona for an illusion of strength, despite being laid low in the aftermath of ISYK. She sees right through it, same as she sees him while everyone else in the coffee shop does not, and she interacts with him fearlessly—something he had not experienced in a long time. As two people who were living on the fringes of the world, even though for different reasons, they clicked right away. 

And when Emmaline scoffed at the idea of trusting people who claimed not to lie, saying that the ones who protested loudest were usually the least truthful, Camlin was desperate enough to keep his connection with her that he acted rashly. He swore to always speak the truth to her. What I don’t say directly in CASOD [though there’s some implication of it] is that this is the first time he’s ever allowed himself to be vulnerable for someone else. It’s a rash but heartfelt decision, and it’s the first step to redemption for Camlin. 

He’s given her a way to have some power over him, in a way that levels the field at least a little. For once, he’s more interested in someone else’s comfort and safety than his own. 

After the couple come to The Maithe, Camlin begins to share with others the past that damaged him and led him to the terrible choices that he made. And then he reveals his worst secret: in his anger and hatred and despair, he allowed a mysterious entity that whispered half-truths and offered seductive powers under the guise of achieving similar goals to have control over him. In turn, it used him to control the faction he’d gathered. The abuse pattern he’d been a part of was cyclical, and he was both the victim and the abuser, as all too often happens. 

The difference for him being that he’s ready to risk himself to set things right, if he can. He makes this choice knowing that he could lose everything, including his life, or possibly worse, his ability to fight the mycelial Mealladhan and regain his free will. Still, he chooses to try. In the process he puts himself completely at the mercy of those he hurt in the past, trusting them to make decisions that could save him or doom at the end of his task. Even when the Mealladhan once again takes control of him, he does his best to protect and warn the people he cares about.

One of the lessons that he learns in all of this that I think sometimes gets overlooked is that he must trust and work with other people in order to have any hope of this plan succeeding. Every bad thing that happens in Camlin’s life is because of being alone, by choice or not. When he begins to lean on others, he grows exponentially. 

Camlin is a character I enjoy exploring, because he’s very much not perfect; he’s quite aware of how flawed he is but is willing to do whatever he can to make amends and work toward becoming a better person. Some villains are unredeemable, and there are things one can never come back from. Camlin himself understands that he can never undo what’s been done, and he doesn’t expect to be forgiven. Instead he chooses to make the best of his second chance at life by doing what he can to keep the Mealladhan from regaining power, no matter the cost to himself. That’s fucking brave, and maybe not everyone will agree that it’s enough to be redeemed—Camlin might be on your side there—but I think Vali, the conscience of the Eleriannan, would argue that he deserves some happiness.

A pale woman with thick, curly reddish brown hair and a dark jacket stands against a backdrop of leaves and trees. The Text reads: The Magic Between Us: Emmaline. Next to the text is a blue morning glory flower.

The Magic Between Us: Emmaline

This post is part of The Magic Between Us series, an exploration and analysis of characters in the Stories of the Eleriannan series.

Emmaline Waters is one of the characters we’re introduced to in Cast a Shadow of Doubt, and she’ll also be the main focal character in my upcoming, as-yet-unnamed Eleriannan novel. When we meet Emmaline, she is a talented writer for a local magazine, but she’s isolated from much of the world because she’s chronically ill, with an unidentified disease. [I vaguely imply that it’s a form of IBD but it’s never spelled out in the text.] She manages to leave her house regularly by spending time each day in a nearby cafe where she can comfortably observe people and write about them, but she still deeply feels the othering effects of her disease. I left the specifics of her diagnosis ambiguous so that all the chronically ill folk out there have the possibility to feel seen—but her experiences are definitely based on my own. 

She is a strong person who struggles with the limitations that chronic illness places on her. Being forced to contemplate her own mortality, she’s got an accepting, open personality and that allows her to get close to Camlin, who is otherwise isolated, angry, and defensive. In turn, Camlin learns to be open to caring about someone—especially a mortal—outside of himself. Early on in their friendship, he tries to baby her with a clumsy attempt to take care of her needs without asking her directly what would be best. She firmly shuts him down, bruising his ego, because she knows that if she doesn’t nip that kind of uninformed attempt to be “helpful” in the bud, it would become a big problem. Not only would it foster an imbalance of power between them, if she allowed it to persist it would eventually frustrate her to the point that she would lose the relationship. At first Camlin is insulted, but he learns from the incident and it deepens their relationship along with his respect for her. Her openness and determination to maintain boundaries helps Camlin begin his path to redemption. 

When her illness takes a turn for the worse, Camlin knows he’s risking everything by taking her to The Maithe to beg them for help. If you asked him if he was afraid that they’d take his life, he’d shrug that off. He already assumes that might be the price for saving Emmaline. What he feared more was losing his relationship with her by interfering. But he does it anyway, because she needs someone at that point to fight and advocate for her. This action and its potential consequences are what start the whole plot of Cast a Shadow of Doubt.

But even more importantly than Emmaline’s illness and Camlin’s sacrifice to win her a cure being an inciting incident, I gave her a magical “cure” because WE FUCKING DESERVE ONE. It’s rare for folks with chronic illness to get anything resembling a cure in real life, despite all those happy people dancing around in pharmaceutical commercials. Sometimes the illness goes into remission, but at this time most of the major chronic illnesses don’t have a cure. Crohn’s and UC sure as hell don’t.

She’s not *fully* cured, I should add. She still gets tired, and can be frail at times. She can do extraordinary things that require strength, but she often pays for it. But she’s my character that holds out hope for those of us who have very little when it comes to getting a cure. 

She also represents people like me who were poor and didn’t get the care they needed, and when they finally did, were told there wasn’t much to be done. It almost kills her. If you know anything about me, you’ll recognize that story. Money always talks and that’s true in the medical industry as much as anywhere. Those in higher tax brackets often get better, more complete treatment and monitoring, and sometimes quicker diagnoses. Poor folks are more likely to be dismissed, ignored, or given up on when the easiest answer turns out to be wrong. 

I believe in representation in fiction. 

Representation of health challenges and chronic illnesses is complex. It includes people who are living with their medical issues, disabilities, mental illnesses and more, and those people can be angry, content, resigned, proud, or any combination of those and more feelings that I haven’t mentioned. They may be struggling or fully adapted. All these situations deserve to be represented. I want to see the reality of living with mental illness, or using adaptive aids, or trying to thrive with chronic illness. Emmaline gets a “cure” for us but as I said above, it’s not actually a cure so much as it is a reprieve from death and an improvement on her health situation. She still has struggles and limitations, but she’s not using all her strength just to drag herself through her days anymore. She can put that energy to use in other, magical ways. 

For Emmaline, she now has the space to discover who she is now that she’s not spending all her time just trying to drag herself through her day with as little pain as possible. That’s the true gift that the Fae gave her. And it’s also the reason why she has the magical ability to control plants: she’s able to nurture these small beings in ways that she was unable to do for herself, empowering them to grow strong and thrive. In return, they assist her when she needs it. She’s also an advocate for ill-regarded plants, ones that mortals look at with disdain or annoyance, if they pay attention to them at all. Her first plant connection is with a morning glory vine, a plant often looked at as a nuisance weed. She sees the inherent value in it just for being what it is, and in return it bonds with her. Emmaline never judges. That’s just who she is. 

In the upcoming book you’ll learn more about Emmaline and join her in the journey to discover who she will be as she walks a new path from being defined by her chronic illness whether she wants it or not to learning how to step into her mantle of power.

I, for one, can’t wait to see which direction these changes take her.